I'm going to go through each of the
Oscar categories, tell you what has been nominated and won elsewhere, and order
the nominees from who I think is most to least likely to win on Oscar night.
That doesn't mean I'll be right, but it does mean I'll be informed. Wish me
luck.
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Previously:
Foreign FilmVisual Effects
Glossary:
BAFTA - British Academy of Film and
Television Arts Awards
ADG - Art Director's Guild Award
I'd like to drum up some suspense for the Production Design award, however, as
you'll see in a moment, it's already pretty locked up this year. Let's take a look at
the precursor award history though. The Art Designers Guild is 20 for 20
nominating the eventual Oscar winner and has matched winners with the Oscars 13
times in that span. That is a bit inflated because the ADG splits that into
15 nominations and 3 awards (Contemporary, Period, and Fantasy Production Design) The BAFTA is a bit below with
19 nominee and 8 winner matches. Of the 9 times in the last 20 years when the
BAFTA and ADG winners have matched, the same movie also won the Oscar 6 times. Of those
three misses, only once did the Oscar go to a movie that won in another of the
ADG's categories.
BAFTA - Production Design - Winner
ADG - Period Production Design - Winner
It's hard to go against a double winner. That's only the beginning
though. Guillermo Del Toro's films are uniformly praised for their production
design. Pan's Labyrinth won in 2006 with even less of a consensus than The
Shape of Water. The Shape of Water has the most Oscar nominations this year and
looks very likely be a big winner in the technical awards which would include Production Design almost by default..
BAFTA - Production Design - Nominee
ADG - Fantasy Production Design - Winner
The Fantasy Production Design winner is the most likely film to spoil
things for The Shape of Water. The best comparison I can find to Blade Runner 2049 is Mad Max: Fury Road tearing through the technical awards despite having no chance at any of
the high profile awards. That comparison falls apart though because Blade Runner 2049 has
nowhere near as much support as Fury Road did. Fury Road won more Oscars (6)
than Blade Runner 2049 is even nominated for (5). Also, it seems like Blade Runner 2049's
cinematography is taking some of the credit for what the production design does
in the film.
BAFTA - Production Design - Nominee
ADG - Fantasy Production Design - Nominee
Production Design is one of those awards that normally wins for having
the most rather than the best. That's probably why Baz Lurhman's films
do so well here (Moulin Rouge, The Great Gatsby). In that case, Beauty and the Beast is an
obvious winner. It has the most color and biggest sets.
BAFTA - Production Design - Nominee
ADG - Period Production Design - Nominee
Production Design this tame rarely wins. Lincoln did it in 2012.
Before that, it was The Aviator in 2004. People are too used to seeing WWII
recreated to pay this much attention.
BAFTA - Production Design - Nominee
ADG - Period Production Design - Nominee
Oh yeah, and there's another movie set in the exact same time period
in the same part of the world that's also nominated. Thankfully, Dunkirk and Darkest Hour don't go head-to-head
in many categories. It's going to hurt their already slim odds here greatly.
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