Saturday, June 8, 2019

Delayed Reaction: Devil's Knot

The Pitch: The Paradise Lost documentaries got so much attention that, surely, they can be turned into a Oscar-bait movie.

The Robin Hood Hills murders and the trial of the West Memphis Three turned into a movie.

I watched the Paradise Lost documentaries in a single day, almost by accident. I was on vacation with no plans for the day and stumbled across the first one on a streaming site. I'd heard about the movie and was in the mood for a documentary, so I started it. I didn't get out of my seat for another 6 hours until I'd finished all three movies, covering the nearly 20 year journey of the grisly murders and the young men who were convicted of the crime, only to later be "cleared" of the charges*. It's a very captivating story of "satanic panic" in a small town run amok. It's filled with interesting characters and a mystery that remains unsolved. HBO's Paradise Lost series got in at the ground level fairly early and stayed with it for years. I still want to see the documentary West of Memphis, which steam lines the whole story into a single documentary as opposed to 3 parts released years apart.

*I won't get into the details, but they were let out of prison because they were innocent, but through a quirk in the law, they  had to technically plead guilty. Our legal system is really dumb, sometimes.

What this story didn't need was a movie. It's a tough story to tell that way. That's because it's two stories that actually aren't very connected. There's the murder of the three boys, which focuses on the parents and the search for the killers. Then there's the story of the three young men who were charged with the murders and wrongly convicted. Attempting to tell both stories ends up shorting both.

The movie tries very hard to connect all the storylines using Colin Firth as private investigator Ron Lax. I don't know if Lax is a real person or an amalgam of a few individuals, but his role in the movie is very functional. He's the person they can put in the most rooms to observe things. The movie feels the need to use Reese Witherspoon more than the story requires. I think the better version of this movie gets to know the West Memphis Three better and focuses more on their trial. But then the problem is that it takes 18 years for them to get their happy ending. And that happy ending still leaves them in jail for half their lives. There are just too many characters, too much time to cover, and too many loose ends for this to work as a movie.

The nods to the Paradise Lost movies are funny in a clunky sort of way. I love the scene when Firth's character talks to one of the filmmakers of the documentary as they are packing their equipment up for the day. I feel like they just inserted that into the screenplay at the last minute because some producer said, "You know, you have to at least acknowledge the documentary. It's a key part of the story". Oh, and there's the John Mark Byers question. That man is an insane character. Too much of him risks taking over the movie (just look at the second Paradise Lost documentary). In Devil's Knot, he's just a weird guy off to the side, but I kept waiting for him to take focus.
I don't know what to make of Devil's Knot. It plays like a handsomely-dressed TV movie, but with two Oscar winners still in their primes at the center (Witherspoon and Firth), not to mention former Oscar nominee Amy Ryan in a nothing role. I assume it was an Oscar hopeful at some point in its development, even if by its release date, those hopes were long gone. The final product is too dispassionate. It tries to remove itself from the events and observe the story. A more focused approach would've worked better, I think. I would be curious about how it plays for people not familiar with the actual story or any of the documentaries.
Verdict: Weakly Don't Recommend

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