Formula: Mary Poppins + 54 years
As far as Disney is concerned, no idea should only
be explored once. One look at the trailers before their latest film is a stark
reminder of that. There were trailers for live-action remakes of Dumbo, The
Lion King, and Aladdin. The only other trailer was a fourth
installment of Toy Story. I suppose I could be frustrated by this,
however, that's difficult when I've liked so many of the films from the last
few years in which they raided their archives. It's better than their strategy
30 years ago of re-releasing the same old movies to theaters. This
backwards-looking strategy is nothing new for the House of Mouse. It's only a
different tactic. I guess what I'm saying is that if you are annoyed that
Disney is revisiting Mary Poppins after half a century, then you are
fighting a losing battle. It's best to just go along with it, and enjoy.
'Joy' is the right word to use when talking about Mary
Poppins Returns. I don't even have a deep affection for the movie. It
wasn't one of my favorites growing up. I probably haven't seen it in 20 years.
Julie Andrews is Maria more than Mary for me. Still, when Emily Blunt as Mary
Poppins first comes through the doors of the Banks residence, I had a goofy
smile plastered on my face. When done right, these remakes/reboots/long-stewing
sequels trade originality for a deep love of the material. The best of these
feel like studio-sanctioned fan fiction, and that's exactly what Mary
Poppins Returns is. It's a tribute.
To fill you in, Mary Poppins Returns is a
direct sequel (Not a reboot) to the 1964 original. It's set during the Great
Slump (England's name for the Great Depression). Jane and Michael Banks are
adults now, played by Emily Mortimer and Ben Wishaw. Michael is a widower and
has three children of his own. He's fallen on some hard financial times, which
prompts everyone's favorite nanny to show up and fill their lives with wonder
for a bit. Lin-Manual Miranda is never far away either as a friendly
lamplighter named Jack, who is a former apprentice of Bert from the original film,
and de-facto sidekick to Mary.
There isn't a single challenging thing about Mary
Poppins Returns, and I wouldn't have it any other way. Exactly like the
original, the film consists of a thin plot with numerous song and dance
numbers in which Mary teaches some simple lesson in whimsical and imaginative
ways. They are all reminiscent to adventures in the original movie but with
just enough changes to register as something new. Director Rob Marshall and
everyone else involved do a fine job capturing the spirit of Mary Poppins.
No one should ever try to fill Julie Andrews' shoes,
but Emily Blunt does and comes away looking pretty damn good. I won't compare
the two performances. All I will say is that they both feel like Mary Poppins.
Blunt is charming, poised, and always grinning. I love how much the character
is a mystery but not one I ever want explained. A Mary Poppins origin story
would be the worst thing imaginable. She's just magic, and Blunt pulls that off
with aplomb. Similarly, Lin-Manual Miranda doesn't try to be Dick van Dyke, but
he pulls off the same function in this movie wonderfully. That guy is simply
the most likable guy in Hollywood and this movie only cerments that reputation.
The Banks children young and old are all fine. Wishaw and Mortimer have the
right mix of "worn down by life" and "open to wonder". The
young children are, well, child actors who can sing pretty well. They aren't a
detriment, but it's not like I was watching Tatum O'Neal in Paper Moon
or something.
Meryl Streep, Colin Firth, Julie Walters, and Angela
Lansbury all show up to pay their dues. Dick van Dyke even shows up, not as
Bert. The most unexpectedly moving thing in the movie was seeing 93 year old
Dick van Dyke break out a few dance moves and hearing Lansbury (also 93) sing
one of the songs. Something about seeing them still doing that this late in
life choked me up a little. I can't fully explain why. That is the right way to
use nostalgia.
The only thing I can go after the film at all for is
that the music isn't as good as the original, and that's about the most unfair
comparison I could make. The original Mary Poppins has some of the best
music of the Sherman brothers' legendary career. On the other hand, the songs
in Mary Poppins Returns are just good. Every musical should have at
least one great song, and others may have a different read of it, but I
couldn't find that song in this movie. That said, "Trip a Little Light
Fantastic" was a nice, elaborate production. Meryl Streep's song,
"Turning Turtle" was a lot of fun. "The Royal Doulton Music
Hall" and "A Cover is Not the Book" are pretty good...OK, maybe
I'm warming up to the music too.
I believe that a healthy movie diet is important.
There are a lot of challenging movies out there that expose the darkness in the
world and provoke critical thought. This time of year, we see a lot of the in
year-end list as the best of the year. Not all good movies have to be
depressing though. It's good to see something good-spirited and happy to
balance things out. Mary Poppins Returns is a celebration, and I'm glad
that I was invited to the party.
Verdict (?): Strongly Recommend
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