Formula: Fantastic Beasts and Where to Find Them - Creature of the Week
There aren't many people who would argue with
calling J.K. Rowling a great author. The Harry Potter series is - well -
nothing short of magic. She created a unique world out of familiar ideas,
filled it with unforgettable characters, and tied it all to an intricate but
digestible story. However, for all her considerable skill, not all writing is
the same. The best poets write awful instruction manuals. Essayists don't
necessarily write great plays. The same goes for novelists writing screenplays.
The Oscars divides screenplay into two categories:
adapted and original. Even those are two different skills. Original screenplays
are conceived with the screen in mind. The idea behind the storytelling is what
works in a film, first and foremost. Adapted screenplays take a lot of forms,
but they are often about figuring out what does and doesn't need to be kept to
work in a movie. What about this play works for a movie and what doesn't or how
much of this 1000 page book is needed for a 2.5h film treatment. The conflict
between adapted and original screenplays is the biggest problem with the Fantastic
Beasts movies.
The Crimes of Grindelwald is the sequel to the 2016 Fantastic Beasts
film that has a decidedly mixed response. It returns all the actors and
characters of note from the first movie. That includes zoologist Dr. Who, Newt
Scamander (Eddie Redmayne), MACUSA Auror Tina Goldstein (Katherine Waterston),
New York muggle Jacob Kowalski (Dan Folgler), Tina's enchanting sister Queenie
(Alison Sudol), and dangerous orphan Credence (Ezra Miller). Leta Lestrange
(Zoe Kravitz) and 1920s Voldemort, Grindelwald (Johnny Depp) get a lot more
screentime, although I can't say their characters are significantly more
fleshed out. Newt's brother Theseus (Callum Turner) shows up to fill in Newt's
family history, and sexy Dumbledore - I mean - Jude Law gets some things to do.
It's the kind of big Wizarding World cast we've come to expect, full of actors
we like. I'm not going to bother outlining the story, because the Wizarding
World brand is what's convincing anyone to see this, not description I give of
what happens. Just know that it's a story about a bunch of good wizards trying
to stop a powerful evil wizard who is targeting a special orphan with tremendous
powers. You know, typical Harry Potter stuff, but with people driving around in
Model Ts.
The more important factors are that David Yates is
back as the director and J.K. Rowling wrote the screenplay again. Yates is
important because he brings his same darker take to the Wizarding World. I like
his work in the movies going back to the last few Harry Potter movies.
However, with the Harry Potter movies, he was working from the lighter,
more playful template established by Chris Columbus, which balanced things out.
Yates' take in the Fantastic Beasts movies has been significantly
darker. Frankly, it's not as fun. There isn't the same sense of wonder. I feel
like every scene takes place at night. I really do love Yates' work as a
director. His Legend of Tarzan
movie from a couple years ago I'm weirdly fond of, but I'm not crazy about his
take on the Wizarding World right now.
Rowling is the key factor. We all know this. She is
Harry Potter and the Wizarding World. Nothing goes without her approval.
I don't like her screenplays for these Fantastic Beasts movies. She's
writing these screenplays like novelist. When adapting a book, the
screenwriting is essentially making an abridged version of the story. The
writer determines which plots to keep or drop. She finds ways to explain what
she needs to keep and let go of all the unneeded detail. Screenplays are pretty
lean. The Crimes of Grindelwald isn't lean. It's filled background
stories, characters who are referenced but not seen, and references that casual
fans will be confused by. I'm a casual fan of Harry Potter. I've read
the seven books and seen the movies. I saw the first Fantastic Beasts
once in theaters. I'll be honest, I was lost throughout a lot of this movie.
I'm confused about what Grindelwald is up to. I have no idea why Credence
matters. I realize that Leta Lestange's backstory is supposed to matter, but
I'm not sure why. Rowling writes the screenplay with the level of depth
of a book. I have to believe that if she was adapting from a book that was
already written, a lot would've been cut out or simplified in this movie.
Bigger Harry Potter fans, I imagine will have a much easier time
following all of it.
All that said, I still enjoyed the movie well enough. I have a pretty minimal investment in
the franchise, so I can easily forgive how much the story is backpedaling into
the Harry Potter story structure, or how Jacob Kowalski is rather lazily
written back into the movie, or even how it's unforgivable to keep Newt and
Tina apart for so much of the movie (the series really needs as much of their
chemistry as possible). Eddie Redmayne gives a charmingly mannered performance.
I was surprised how easily Zoe Kravitz fit into the Wizarding World. When the
movie did move into the more exciting parts, I was entertained. The idea of a Dr.
Parnassis showdown between Jude Law and Johnny Depp looms large. I like
hanging out in the Wizarding World for a couple hours enough that I am going to
enjoy myself regardless of anything that actually happens in the movie. That
forgives a lot of flaws.
One Last Thought: When does J.K. Rowling become George Lucas? While their
functions are very different, both creator's arcs are pretty similar. People
love the Harry Potter books and the original Star Wars Trilogy. (No
one can every take that away from them.) Both increased their control in the
follow ups. Lucas directed all three Prequel Trilogy installments and bogged
them down with unneeded detail. Rowling is writing the screenplays for all the Fantastic
Beasts movies which are proving to be more complicated than they need to
be. Like Lucas, the best move for Rowling's property may be to move it over to
the people who grew up loving her work and had their brains rewired by it. The
reason why the new Star Wars movies have been so good is because JJ
Abrams and Rian Johnson have known Star Wars their whole lives. How many
more years before those kinds of Harry Potter fans start popping up? My
generation is probably the oldest ones who were still impressionable enough for
Harry Potter to dominate their childhood. So, the oldest of those fans are in
their early 30s. Maybe we need to check back in a decade for them to become
power players in Hollywood. I'm thrilled to see what second generation Harry
Potter will look like. Until then, I have to hope that Rowling doesn't get
too burned out to come up with something great.
Verdict (?): Weakly Recommend
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