Tuesday, December 19, 2017

Movie Reaction: The Florida Project

Formula: Beasts of the Southern Wild / Disney World

Sean Baker is a filmmaker I've become familiar with unintentionally. I caught his 2012 movie Starlet, out of a curiosity with Dree Hemingway. For some reason, I find it really interesting that Ernest Hemingway's lineage has gone into movies. Then I caught Tangerine in 2015 after a wave of great reviews, some very dark horse Oscar hopes, and the novelty of it being shot on an Iphone. What's clear between those films and his latest, The Florida Project, is that Baker likes to focus on the people the rest of the world ignores.

I'm not sure I could've found a better palette cleanser between The Last Jedi viewings than The Florida Project. After all, this is a movie literally about living in the shadow of Disney. The film takes place in a motel called the Magic Castle on the outskirts of Orlando. The motel is mainly populated by people living there, although never long enough to legally set up residence. Moonee (Brooklynn Prince) is a six-year old living with her mother, Halley (Bria Vinaite), who is unemployed (and arguably unemployable, thanks to her hair trigger temper and refusal to listen to authority). The Florida Project is what I call a "slice of life" movie. The plot is very loose. It's more of a collection of adventures while Mooney is on Summer break with a few through lines.

A movie like this lives and dies by how well it builds and populates the world it's creating. If I'm going to spend 90 minutes hanging out with characters, I better like them or at least want to be around them that long. The Florida Project has no problem with that. Brooklynn Prince is a special talent. Despite only being six years old, she carries the movie and never feels like she'd playing to the camera. Baker took a big risk relying so much on child actors like Prince and her friends, but it pays off. Bria Vinaite is not a professional actress. I believe she was found by Baker on Instagram. She's pretty fearless in front of the camera though. She's not a chameleon who can disappear into any role, but she's perfect for this one. The only established (or even professional) actor in the cast is Willem Dafoe, who plays the manager of the motel. I'm sorry to user a cliche, but he's the beating heart of the movie. He's the glue that holds it together; the savvy veteran the movie can turn to whenever the story gets close to spinning out of control. When he's the only person in a couple months getting Oscar attention for this film, it'll be justified.

What I liked the most about this movie is how everything is done without judgment or sympathy. By the numbers, Moonee has a pretty terrible life. She's surrounded by drugs and prostitution. Her mother never has enough money and Moonee never knows where her next meal is coming from. She had minimal adult supervision and constantly finds herself is risky situations. That's just her life though and it's not without its merits. There are a lot of people around her doing the best they can. Bobby (Dafoe's character) in particular refuses to give up Magic Castle and the people living there.

Part of the reason why the movie gets by with so little plot is because when you are dealing with kids, everything feels more perilous. I spent most of the movie tense, because I was worried something bad was going to happen to Moonee or one of the other kids. It reminded me of the scene in Boyhood when they are drinking and throwing the knife. Intellectually, I knew nothing was going to happen because it wasn't that kind of a movie, but the fact that it was dumb kids doing it made me very cautious. This film wisely resists the urge to sensationalize things. Anything bad that happens is more from cause and effect. It trusts the audience a lot.

Finally, the end of the movie. All I can say is that of course that's how it would end. Even if I saw that coming, doesn't mean it's the wrong way to end it.

Verdict (?): Strongly Recommend

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