Welcome to 2022. Things went back to normal this year. Or, perhaps, a new normal. Theatrical offerings for movies were sparse: somewhat the tail of COVID shutdowns, partly the encroaching of steaming options. Personally, I saw 68 movies in theaters, which was up from last year, but the lowest pre-COVID year since 2014. Overall though, I managed to see 151 movies release in 2022. I haven’t checked, but that is probably a personal record.
This is my 11th year doing this, but I still feel the need to review a little about what this list is and isn't. It is a list of all the movies released in 2022 that I have seen, from first to last. I like to include all movies because I don't think a normal top 10 list does much good if you don't know what I have and haven't seen. That way, you don't have to ask things like "Does he hate Decision to Leave or has he just not seen it?" This list is my favorite movies of 2021. I gave up the idea of picking the "most perfect", "most important', or "most revolutionary" movies in a year a while ago. I can only answer the question "What movie added more to my year"? This list is a snapshot in time. My relationship with all movies evolves over time. I change and my understanding of movies changes. That's not to say I don't stand by the ordering of my list. Rather, I'm not naive enough to think I'll still have the same list in a few months or years. This list isn't an attempt to appease some sense of what I'm supposed to like. It isn't as definitive in the middle as the top and bottom. Feel free to read into the order of the 3rd and 4th movies. Please don't read in as much to the ordering of the 58th and 63rd movies. Almost by definition, those are movies I don't have a strong feeling about.
As always, I'd like to add a few clerical notes. I determine a film's release based on its public US release. Film Festivals don't count. So, only the Sundance movies I saw that have been released otherwise will count. If there was a theatrical release tracked on Box Office Mojo, I go with that. Otherwise, I use the US release per IMDB. Since I've posted Reactions to all these movies, I'll keep my comments here pretty brief. If you really want to know more, click on the link.
Previous Lists:
Top 10
1. Cyrano*
I remained surprised to see this movie top the list. I watched this at the beginning of the year and was grinning ear-to-ear the whole time. I rewatched it before putting together this list to see if it still had the magic without the surprise. It did. It’s hard to capture why this movie works so well. It’s a musical with a 90s music video sensibility. It’s like Joe Wright studied the “November Rain” video before making this. What can I say? I was completely and utterly entranced by this movie.
*This could be defined as a 2021 movie, but BoxOfficeMojo has the Domestic release date as 2022, so that’s the list it’s going in.
2. X
Let me remind you again. This is my list and not some stab at an objective list. I can’t argue that this is the most technically impressive move of the year or whatever. I just know that I’ve watched it several times already and continue to love it. Ti West has a magical ability to capture the tone of an era of movies without just mimicking. X IS a 70s horror lo-fi horror movie. Pearl has the showier Mia Goth performance, but this is the fuller movie of West’s two films this year.
3. Everything Everywhere All at Once
Even more than just how much I like the movie, I’m amazed how creative it is. This is a movie that should fall under the weight of everything it’s trying to do, yet the Daniels somehow make it work. It’s similar to Parasite in the sense that it’s impossible to describe the movie in a way that captures what works about it. It’s the most “You need to see it to understand” movie of the year.
4. Glass Onion
It’s frustrating how often “fun” is missing from the discussion of best movies. Look, Glass Onion does have a terrific cast giving great performances. The screenplay is a marvelous puzzle. Rian Johnson directs the hell out of it. Mostly though, this movie is just a good time. Much like Knives Out, Glass Onion embraces the murder mystery contrivances and plays on them. The secret to Johnson’s success with this is that they kind of rely on taking the piss out of the genre: surprise from non-susprise.
The pleasant surprise of this movie is how much more it is than Spielberg naval-gazing about his past. Sure, there are plenty of biographical notes to the story, but it’s just as much about the creative process in general. And the thing people sometimes forget is that Spielberg is almost physically incapable of making a movie that isn’t watchable and entertaining. I’ll admit, this movie sounds like homework yet it’s anything but that.
6. The Northman
I adore The Witch. I didn’t care for The Lighthouse, but at the time, I specifically noted that the movie did only make me more excited for whatever Robert Eggers made next. The Northman paid off that faith. This is a dirty, dreamy, brutal take on the source of the Hamlet story.
7. Prey
Between Pearl and Prey, 2022 offered great evidence that sometimes, the best way to keep a franchise going isn’t by making it bigger; it’s by going smaller. Prey is a very simple chase movie that zeroes in on the thing that made Predator appealing in the first place. And it’s so nice to see Amber Midthunder get her badass starring role.
8. Hustle
I’m always rooting for Adam Sandler giving a real performance. Giving it in an earnest basketball movie is almost unfairly targeted to me. This is a thoroughly enjoyable underdog sports movie. It doesn’t hurt that it offered me dozens of moments and references that felt like I had insider knowledge.
Cooper Raiff has a very specific thing that he does, and I’m more than happy to follow him as he works through another phase of life in a film.
10. Barbarian
I keep appreciating what this movie does more as time passes. It’s the best example I can think of of a horror movie that applies the strengths of an anthology structure to a single dramatic film. This is essentially 4 short horror films with different tones, telling one story. Such a savvy screenplay.
Everything In Between
11. Babylon
The most likely movie to jump up the list a year from now. This movie has everything jammed into it. It’s a lot to take in and I think I’m still tired from my first viewing. What The Right Stuff did for space, what Goodfellas did for the mafia, what Boogie Nights did for the porn industry, Babylon does for early Hollywood. Given how well all those examples have aged, it seems impossible for Babylon not to age well too.
12. The Outfit
Every year, there’s a movie that I feel like I discovered. It didn’t get much press. It came and went without anyone talking about it, and I’m not sure why. Eye in the Sky is my go-to example of that. The Outfit is my movie for 2022. This movie is wonderful. This is a two-room crime thriller that plays like a stage play but has just enough aspects that can only be done in a film. I loved seeing how this story unfolded.
13. The Woman King
Oh my god! Is Viola Davis an action hero now?
14. Tar
I’m pretty tepid on the movie but Cate Blanchett’s performance is (overused phase alert) a tour-de-force. I could watch her playing Lydia Tar for hours upon hours.
Bravo to Paramount for never giving up on this movie. It was sitting there waiting since the COVID shutdowns. It would’ve been so easy to dump it on a streaming service or open it too soon. Instead, they waited until the world was ready and it blew up. The special thing about this movie is how simple it actually is. It’s the story behind a difficult video game level, and with a movie star like Tom Cruise, it turns out that’s a lot of fun to watch.
16. The Menu
This is one of those weird movie that lives in an in between state. It’s not quite an awards movie. It’s not quite a critical darning. It’s not quite a box office smash. It’s a social satire that thankfully leans more into the humor than the commentary. I like that it’s ultimately more nihilistic than anything.
17. V/H/S/99
I adore this franchise. Horror anthologies don’t have a higher hit rate than these do. This specific installment had way more to like than not.
God bless quirky Irish playwrights-turned-directors. I still haven’t gotten over the anxiety this very dark comedy stirred up inside me.
19. Pearl
This movie is amazing as supplemental material to X. Mia Goth really shows off in a way that she rarely gets to.
20. Fire Island
Whoever says the RomCom is dead needs to check out the streaming services more often. This was such a damn pleasant thing to watch.
21. Marcel the Shell with Shoes On
Sometimes, when you tell the whole world about your inside joke, the world embraces it.
22. Petite Maman
This is such a simple and sweet story of a mother-daughter relationship. I really appreciate that it opted to stay 73 too. Not every story needs to be 90 minutes, let alone 2 hours.
23. Nope
I find Jordan Peele’s movies to be so smart and so exquisitely made, but it’s hard not to think that he’s putting in more ideas in his movies than he knows what to do with. Still, Nope has some of the best moments and scenes of any movie this year.
24. Fresh
Waiting this the no clue what it was about was one of my favorite experiences of 2022. I remember cackling when the like title card came on screen.
25. All Quiet on the Western Front
This is a feeling that I got everything I needed out of this from 1917. But I loved 1917, so even an 80% 1917 is one of the best things I’ll see in a year.
26. Resurrection
Rebecca Hall. Rebecca Hall. When is Rebecca Hall going to get the attention she deserves? This is a bizarre movie that works because Rebecca Hall is powers through it.
27. Confess, Fletch
Jon Hamm has been looking for his comic identity for over a decade now. “Less slapstick Chevy Chase” might be the answer. I could watch a new one of these every year.
28. We're All Going to the World's Fair
I love whenever someone tries something fresh with found footage horror.
29. Smile
This is a strange movie to talk about. I liked it a lot. However, had the film gotten out of its own way a little more, this could’ve jumped into my top 10 easy. There were more than a few echoes of my beloved Oculus in this.
30. Honor Society
An unexpectedly pleasant movie about a conniving person finding out that they are actually a nice person.
31. Good Luck to You Leo Grande
Emma Thompson is a god tier scene partner.
32. Emergency
Superbad energy applied to real social commentary. What’s not to love? This really did give me some of the best belly laughs of the year while also being a thoughtful discussion of race. That’s tough to do.
33. RRR
A can’t shake the feeling that a lot of the excitement for this movie was because it was a lot of people’s first exposure to Indian cinema. This movie is an absolute maximalist blast. It is also bloated and you can see the seams a lot in the filmmaking.
No one is better at a blockbuster than James Cameron. This is inarguable and I’m thrilled to have another one of his movies in theaters again. That said, I just don’t care that much about the world of Pandora, which made the first two hours of this a bit of a slog. That last hour though makes up for it.
35. The Worst Person in the World
Like Cyrano, even though it counted for the 2021 Oscars, BoxOfficeMojo lists the domestic release as 2022. Unlike Cyrano, while I remember liking this movie, I haven’t felt the need to revisit it. Really great lead performance and inventive screenplay though.
36. Turning Red
This was the Pixar movie that should’ve had a theatrical release. It aligns to the golden Pixar formula: take something odd to pitch it on (the red panda), present it as a story you’ve seen before (hiding her secret identity), then reveal a much deeper story (the emotional changes of puberty).
37. Chip 'n Dale: Rescue Rangers
It’s so nice to see someone weaponize nostalgia in a positive way. This movie is very funny, very IP heavy, and very good. It feels like the Lonely Island guys got the rights to make this movie then Disney forgot to check in on them until it was ready to go to Disney+.
38. Black Panther: Wakanda Forever
Ryan Coogler is the most talented director in the Marvel stable. That’s how they were able to salvage this movie devastated by the death of Chadwick Boseman.
39. Doctor Strange in the Multiverse of Madness
I’m so glad that when Marvel got Sam Rami back into the universe, it was for a movie that let him get weird.
40. Weird: The Al Yankovic Story
This movie is so dumb, and god bless it. It’s perfectly capture what I love about being a Weird Al fan.
It’s got the good songs and it’s got the intricate choreography to justify the film adaptation from the stage. What more do I need?
42. Scream (2022)
No other franchise could get away with being so self-consciously clever. Thankfully, the filmmakers knew that and leaned all the way into it.
43. The Batman
I’ll admit, I’m getting Batman fatigue. Matt Reeve’s ultra-date (literally) take is not my favorite, but I can’t argue that he failed to deliver his vision of this.
I increasingly appreciate movies that aren’t afraid to let people be nice.
45. The Whale
Brendan Fraser. Sadie Sink. Hong Chou. Ty Simpkins. They’re all really great in this. I’ll focus on that rather than a film that I’m otherwise tepid on.
Complete empty calories yet great evidence that some movies can just be about letting movie stars be movie stars.
47. Lightyear
I’m working on a theory that audiences of animated movies over the years don’t want action movies. Lightyear is another data point for that. It was fun if not disposable though.
48. Dog
Every few years, Hollywood remembers that all audiences really want is a dog sidekick. This was a pleasantly more thoughtful movie than the poster would suggest.
49. The Black Phone
This is a horror movie that’s a lot of fun in the moment then suffers if you think too much about it after the fact. A Good time though.
I liked having Natalie Portman back and having a great time. I’ll admit though, the balance of the cast was a little off.
51. Uncharted
No movie is every going to do Raiders of the Lost Ark better than Raiders of the Lost Ark, but I’m happy if studios want to keep trying.
I like Bob’s Burgers. This was like watching a really long episode of Bob’s Burgers. I’m not sure that it needed to be a movie, but sure. Why not?
53. She Said
I love the beats of watching an investigative journalism movie. Zoe Kazan and Carey Mulligan are really great in this. Yet, it feels too soon for the movie. I wish the movie would’ve picked a lane and been even wonkier or less wonky. The middle of the road approach left something to be desired.
54. I Came By
I never knew where this movie going, and improbably, it gave me one huge laugh from a perfectly executed punchline.
55. ThreeThousand Years of Longing
The first two thirds really sucked me in. The last third spent all the goodwill it had built up.
56. Halloween Ends
Better than Kills, so that’s something. Like 2018’s Halloween, I love how evident it is that this was made by fans of the franchise.
57. Father of the Bride (2022)
It’s hard to do a version of this story I wouldn’t like. Introducing the Cuban v. Mexican rivalry gave this just enough variety to justify watching this instead of just rewatching a previous version.
Jerrod Carmichael and Christopher Abbott are an unlikely, darkly comedic duo, swapping the roles you’d expect each performer to play.
It’s been a pleasant surprise seeing how popular this has been on Netflix. Aubrey Plaza is really wonderful in this. How many more years before she gets a role with real Oscar buzz? She’s quietly been building a career that asks “when” not “if.”
60. Elvis
Nothing hits quite like a Baz Luhrmann fever dream.
61. Thirteen Lives
Ron Howard made a very effective and functional movie about a herculean real-life rescue effort that unfortunately still just made me want to watch the documentary (The Rescue) on the same topic instead.
62. Emancipation
It was silly to think this ever would’ve been an Oscar player. That said, Antoine Fuqua successfully brings her action movie sensibility to a slave narrative, without feeling tone deaf.
63. Till
I guess I’m colder on the Danielle Deadwyler performance than most. The movie is absolutely affecting. It’s hard for it not to be. I do think it lays it all on a little thick.
64. Bros
Very funny. The best Billy Eichner is likely to ever be. Typical bloat of an Apatow produced comedy though.
65. Navalny
Incredible story. I couldn’t help but feel it was made too much with getting Navalny’s approval of the final cut.
I still think this getting a 29% on Rotten Tomatoes had more to do with Fallen Kingdom spending all the goodwill of the series than actually being worse than Fallen Kingdom. Fallen Kingdom was awful. This wasn’t great either but my main complaint is that it needed more dinosaurs and less wheat.
67. AmbuLAnce
Generally speaking, when Michael Bay sticks to what he does best, I like the result.
68. Black Adam
Ignoring the fact that I have no idea what the hell DC is doing anymore, this was fun enough.
69. The Unbearable Weight of Massive Talent
I’m just glad to confirm that Nic Cage is in on the joke.
70. The Lost City
I love the Sandra Bullock who does silly disposable movies that might turn out to be essential a couple years later.
71. Beast
For years I’ve suspected that Idris Elba could beach a lion in hand-to-hand combat.
72. Watcher
I wish I watched the movie that other people seemed to. Some good use of setting and slow burn but ultimately it turned into yet another horror movie about no one believing the protagonist.
Bonkers movie that I’m glad exists. Like, it’s great that these people got together and found a way to make it work.
74. Do Revenge
Certainly one of the best single twists I saw this year. It doesn’t struggle by the end though.
75. Violent Night
Santa Claus did in fact kill a bunch of bad guys.
76. Guillermo del Toro's Pinocchio
One day I’ll find a Guillermo del Toro that I love as much as everyone seems to love his movies.
77. Spirited
As far as twists on A Christmas Carol, this musical one was pretty fun.
78. Jackass Forever
It was nice to see some new blood in the mix, though ultimately, the staying power of this franchise is this group of dumbass friends who have managed to never learn better.
79. God's Country
I love this latter career reinvention of Thandiwe Newton as [more of] a bad ass.
80. I Want YouBack
A Simple RomCom with a likable cast can go a long way.
81. Bullet Train
I do love a movie with a screenplay that needs a chart to keep track of things.
Amazon is
quietly amassing a nice catalog of Christmas RomComs with decent stars.
83. Fire of Love
Incredible footage that couldn’t quite find a way to tell a story to match.
Despite the name, this is a real ending Downton Abbey needed.
I still think about that amazing boat set sometimes.
It’s nice to see they resurrected this franchise successfully.
87. Master
Regina Hall is great as always. The movie does end on a whimper though.
88. The Gray Man
No one spends $200 million on a blockbuster with no impact quite like Netflix. It’s nice that this year people finally started to question the streaming model some.
89. Bones and All
I still can’t figure out if Mark Rylance’s performance is the good kind of weird or the bad kind of weird.
90. After Yang
I mostly just remember that opening sequence which either means the rest of the movie is meh or the opening is that great.
Love me some Catholicism fan fiction, even if it goes in a frustratingly predictable direction.
92. Rosaline
A fun young cast holds this revisionist retelling of Romeo & Juliet together.
You aren’t going to find me saying a bad thing about Zoey Deutch.
It’s a fun movie but I’d be lying if I said much about it stuck with me for more than a couple days.
95. The 355
It’s a shame seeing a cast this spectacular in something so ineffective. This really should’ve been among the most entertaining movies of the year.
Rachel Sennott did yeoman’s work to keep the focus of this on the satire.
97. The Adam Project
I would love if one of this big budget, big star Netflix action movies had some staying power.
98. Crush
I’m still impressed by how well this movie pulled from a bunch of shows I like for the casting.
99. Texas Chainsaw Massacre (2022)
The more they try, the more I’m convinced that The Texas Chainsaw Massacre is too specific for sequels to work.
100. The Cursed
I keep forgetting that I’ve seen this movie because the title changed from the more distinctive “Eight for Silver”.
101. The Greatest Beer Run Ever
Not that his films before it were that great, but I’m think that Green Book Best Picture win is going to have a long and unsuccessful tail on Peter Farrelly’s future films.
102. All the Old Knives
While the thriller aspect did nothing for it, I can’t complain about this as a Chris Pine/Thandiwe Newton sexiness delivery device.
103. Moonfall
Say what you will, but the moon did, in fact, fall. Truth in advertising.
104. Men
It’s always fun watching a movie during which you can feel the audience one-by-one reject it in real time. I respect the big swing of the movie, but it lost me by the end.
105. Kimi
Honestly, the movie is probably better than this ranking, but I’m not in the mood to start shifting things around. Zoe Kravitz is good in this incredibly lean thriller.
106. My Old School
The core story of this documentary is incredible, but once it reaches the twist toward the middle, it doesn’t have anywhere to go.
107. Luck
Not surprisingly, this is among the most Pixar-lite of the animated films I’ve seen from another studio in quite some time.
108. My Fake Boyfriend
A great example of a gimmick that totally gets in the way of what would otherwise be a pleasant albeit generic RomCom.
Daisy Edgar-Jones is terrific. Otherwise, I think a lot of what made the book a hit got muddled in the translation to film.
110. Windfall
A claustrophobic thriller that, due to casting, I kept expecting to be funnier, which is on me. I appreciate the decision to keep things mysterious, but I do think this too far in keeping the character motivations murky.
111. Breaking
This is the kind of movie that plays out how it does because it’s based on a true story. However, the way it’s directed left a lot of holes that really bothered me.
On the one hand, this delivered the exactly the movie it promises. On the other hand, it doesn’t promise to be a very good movie.
113. The Sea Beast
I’m impressed with the scale and water effects of this animation. And that’s about it.
114. The Valet
The humor didn’t work at all for me, but I was impressed with how sweetly the story ultimately resolved.
115. Borrego
Lucy Hale isn’t my first pick for a desert thriller, but she acquits herself well.
116. Luckiest Girl Alive
My big issue is that I don’t believe Mila Kunis’ character successfully kept up this ruse of a personality for so long.
117. Persuasion
As much as I like Dakota Johnson, I could stop from feeling like this was an attempt to do Bridgerton as a movie.
118. You Won't Be Alone
The idea of a witch that takes over bodies is pretty fun. I just found the movie a little dull.
119. Don't Worry Darling
I surprised myself to see this so far from the bottom of my list. I do think the movie is an unmitigated disaster from a story perspective. Everyone involved failed to organize or think through this story. That said, some performances like Florence Pugh and Chris Pine’s are really great, and there are a lot of visuals in this that stuck with me. As I think I said in my Reaction, I think this movie is a disaster but it doesn’t impact my interest in whatever Olivia Wilde directs next.
It’s hard to make a story that was infamously scandalous a hundred years ago still scandalous today.
121. Enola Holmes 2
Millie Bobby Brown remains a star. However, the first movie was bursting with ideas and spins on the Sherlock Holmes story. This one felt like a much more straightforward story. Too much for Brown to carry.
122. Mad God
The claymation is really cool looking, but I really found this to be a slog.
123. Dual
I’m just not a fan of these intentionally flat, mannered performances. It reminded me of the worst of Yorgos Lanthimos’ work (i.e everything but The Favourite).
124. The Good Nurse
The Dateline version of this would be so much more interesting. And, I found Eddie Redmayne’s performance to be quiet in a way that shouted at me.
125. White Hot: The Rise and Fall of Abercrombie & Fitch
Hard to even call this a movie. That said, it did remind me than Abercrombie & Fitch was a thing from my youth even though I hated it then too.
126. The Pink Cloud
The most interesting thing about this movie is that it was made before Covid, because it plays exactly like a response to Covid isolation.
127. Spiderhead
A really great cast wasted on a thriller that was a little too easy to figure out.
128. Fantastic Beasts: The Secrets of Dumbledore
Through budget and the inertia of the Wizarding World production cycle, this at least has the look and feel of a film from this universe. I didn’t realize just how checked out I was with this story until I got into the theater.
129. Disenchanted
Remember Enchanted: that movie that was a blast because it contrasted the Disney fairy tale with the real world? Well, here’s a movie about taking away all the contrast before the Disney fairy tale world and the real world.
130. See How They Run
What really sets this movie apart is how easily you will trick yourself into thinking it’ll be a good movie. The cast is great. You can cut together a trailer that makes it look like a smart, clever murder mystery. However, it really is a movie that evaporates from your memory as you watch it.
Another Netflix movie that would work better as a Dateline investigation. This is a wild story. The doc just doesn’t do anything with it more interesting than just telling it.
132. Deep Water
Another thriller with few thrills. It’s really only good for seeing Ana de Armas and Ben Affleck be attractive at each other.
133. The Man From Toronto
It’s fun to watch Woody Harrelson try to will a movie to be good.
134. Stars At Noon
As much as I want to love anything with Margaret Qualley in it, this was just far too listless to work for me.
135. Amsterdam
To think, there was a time when I worried that I’d confuse this with Babylon.
136. Samaritan
Imagine watching Logan if there was no X-Men mythology backing it up and giving it texture.
137. Not Okay
If there’s one thing I hate more than a movie I found bad, it’s a movie I found bad that tries to get out ahead of any criticism.
138. Spin Me Round
I ate a comedy that’s funnier that describe the plot of than to watch.
139. Meet Cute
Incredible potential with this premise however it decides to take away all the fun discovery parts. Imagine watch Groundhog Day if it started with Bill Murray committing suicide a bunch.
140. The Tinder Swindler
I need to stop watching these Netflix documentaries. This one really bothered me because there was a real sense of rushing this thing together to meet a deadline rather that follow the story through to a satisfying conclusion.
Just because something made a good news article doesn’t automatically mean it has the juice to sustain a movie.
Bottom 10
142. American Carnage
Jordan Peele’s success has a lot of less talented filmmakers thinking they can make movies about a dozen things at the same time.
143. Strawberry Mansion
Being impressed with what someone can do on a tiny budget is not the same as actually enjoying a movie.
144. The Wonder
To the opening and closing of this movie, I have this to say: Thanks for making me aware that I was watching a movie. I was aware that I was watching a movie when I hit play on this movie, but thanks for making a point to explain that this is a movie anyway.
145. Alice
I’ve reached a point where explaining race relations by literally recreating slavery as the story of a movie just seems lazy to me.
146. Firestarter
This movie just…isn’t very good. I don’t know how else to say it. It’s like half a thought that was turned into a movie. Which is weird, considering it is both a remake and based on a book.
147. Blonde
I really wanted to be in the righteous opposition, defending this movie. Instead, the whole experience of watching this felt like I was being punished for wanting to watch this.
148. Sharp Stick
A classic example of a character who I fundamentally can’t believe existed before the start of the movie.
149. Morbius
It’s not interesting for me to be the millionth person to dunk on this movie. So, I’ll just say that I agree with all the negative stuff you’ve heard about this.
150. The Bubble
I never thought I’d be able to dislike a Judd Apatow movie this much. This is an underbaked concept for a movie. The Hollywood commentary issue very surface level and the Covid jokes aged so poorly.
151. Crimes of the Future
I simply hated watching this movie. Everything about it bounced off me. It
nearly put me to sleep repeatedly. The movie was weird in a way that felt like
an obligation. Like David Cronenberg just did it that way because it’s what
people expected from him for an idea like this.
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