Premise: A
fisherman gets hired by his ex to kill her abusive husband.
When it comes to bad movies, confidence is the thing
that really sets them apart. A lot of movies are incompetently made. The pieces
barely fit together. The performances are amateurish. The filmmaker's
understanding of the basics of filmmaking are suspect. Most bad movies are
simply forgotten. I haven't thought about Need for Speed or Transformers:
The Last Knight since I saw them. When a bad movie is made with incredible
confidence, that's how you get Showgirls or The Room. These are
movies that aren't just bad. They put everything that's bad about them front
and center under the belief that those things are its greatest assets.
Serenity is
a great bad movie. The kind people build drinking games out of or build
midnight screenings for. It's so bad, that there will be people who tie
themselves into knots to find a way to call it a secret masterpiece. It's not
the worst movie ever made. Those are the wrong terms to think of it in. It
ranks high as one of the most boldly bad movies though.
As with all of my Delayed Reactions, I'm assuming
it's fair game to spoil this movie. And I will. The fatal flaw of Serenity
is that it thinks its twist can sustain the movie. The twist? It's all a video
game. That's supposed to excuse the underwritten storyline and the thinly
constructed characters. And, in a version of this movie where the mystery
really did hook me, I could see forgiving all that. I didn't care at all about
what was going on though. I half-guessed the video game angle early on, then
ignored the thought because that would be stupid. That meant I spend the rest
of the movie looking for anything else to latch onto. In a vacuum, Matthew
McConaughey's performance could've worked. In a world in which he's been doing
those insane Lincoln commercials for 5 years, what he's doing in Serenity
is basically parody. I was weirdly fine with Anne Hathaway who is great at
being in on the joke. After people turned on her earlier in the decade,
essentially for trying too hard, instead of responding with nothing but
grounded roles, she's just as often owned the reputation and leaned completely
into camp. I mean, Serenity, The Hustle, and Ocean's Eight
are the roles of someone who has heard what you said about her.
People have tried to crack the "trapped inside
a video game" formula for years. Tron just focused on the style of
the world. The Matix sequels (computer, not video game) took a lot of
grief because they went too deep into the idea. The last two Jumanji
movies used the idea as a means to an end only. Then there's Pixels.
Enough said. And there are many others. Serenity attempts to use the
"uncanny valley" aspect of video games - the fact that characters in
a game don't pass the Turing Test - to make a mystery thriller. It boldly
misses the mark though.
And, I'm not even going to attempt to understand the
logic of how McConaughey in the game comes into contact with his son in real
life. I think the answer is that the boy reprogrammed the game, but the whole
thing feels like the tail wagging the dog.
I appreciate how nuts this movie is. It didn't
half-ass what was trying to do. I took a big swing and missed big. It's a bad
movie. At least it's interestingly bad though.
Verdict: Strongly Don't Recommend
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