Monday, February 18, 2019

Oscar Predictions: Best Lead Actress

The Oscars are coming up yet again. The guilds, Globes, BAFTAs, and critics have all made their picks. Now it's my turn to figure out what it all means with my multi-part Oscar predictions.

I'm going to go through each of the Oscar categories, tell you what has been nominated and won elsewhere, and order the nominees from who I think is most to least likely to win on Oscar night. That doesn't mean I'll be right, but it does mean I'll be informed. Wish me luck.

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Previously:
Glossary:
BAFTA - British Academy of Film and Television Arts Awards
Golden Globe - Award presented by the Hollywood Foreign Press Association
SAG - Screen Actors Guild Award


Both the Golden Globes and SAG have nominated the last 20 Oscar winners for their awards. The BAFTA award is lagging a little behind, but much of that has to do with films getting different release dates in the U.S. and Great Britain. One of the Golden Globe winners has also won the Oscars 19 of the last 20 years. The only exception was Halle Berry for Monster’s Ball. The SAG award is slightly behind, only matching 16 of the last 20 Oscar winners. Again, the BAFTA award is behind that with 13/20 partly due to schedule wonkiness. All 20 Oscar winners have won at least one of the three precursor awards.

Glenn Close (The Wife)
Golden Globes - Lead Actress Drama - Winner
SAG - Lead Actress - Winner
BAFTA - Lead Actress - Nominee
The 2-2 split between the BAFTA, SAG, and two Golden Globes doesn’t happen often: just three times in the last 20 years. And the distribution is split pretty evenly*. This year, both Close and Colman have given great speeches that have endeared them to voters. I like Close to win though. The Drama Globe/SAG Award configuration is historically stronger than Colman’s and Close has an historically strong “it’s her time” narrative**.

*2007 – Julie Cristie (Away From Her) vs. Marion Cotillard (La Vie en Rose). Cristie won the Drama Globe and SAG. Cotillard won the Musical/Comedy Globe and BAFTa. Cotillard went home with the Oscar.
2002 – Nicole Kidman (The Hours) vs. Renee Zellweger (Chicago). Kidman won the Drama Globe and BAFTA. Zellweger won the Comedy/Musical Globe and SAG. Kidman went home with the Oscar.
1998 – Cate Blanchett (Elizabeth) vs. Gwenyth Paltrow (Shakespeare in Love). Blanchett won the Drama Globe and BAFTA. Paltrow won the Comedy/Musical Globe and SAG. Paltrow went home with the Oscar.

**If she loses, she will be alone as the actress with the most Oscar nominations without a win (7).

Olivia Colman (The Favourite)
Golden Globes - Lead Actress Comedy - Winner
SAG - Lead Actress - Nominee
BAFTA - Lead Actress - Winner
Colman has been a pure delight throughout the award season, so I wouldn’t begrudge a win for her. There just isn’t as much working in her favor. She has the weaker pair of precursor wins. She’s new to most Academy voters and has no meta narrative working for her. And, she doesn’t dominate her movie the way that Close does in The Wife. While the numbers suggest it’s a close race, I really don’t see how Cloman edges ahead of Close down the stretch.

Lady Gaga (A Star Is Born)
Golden Globes - Lead Actress Drama - Nominee
SAG - Lead Actress - Nominee
BAFTA - Lead Actress - Nominee
At some point, everyone just agreed that Lady Gaga would win Best Original Song and that would be enough.

Melissa McCarthy (Can You Ever Forgive Me?)
Golden Globes - Lead Actress Drama - Nominee
SAG - Lead Actress - Nominee
BAFTA - Lead Actress - Nominee
More of a critical favorite when all was said and done.

Yalitza Aparicio (Roma)
If you read between the lines of all this talk of how Aparicio gives a great performance despite being an untrained actress, what people are really saying is “Alfonso Cuarón sure is a great director for getting something so good out of someone who doesn’t know what they’re doing”*. In other words, too much de facto credit is going to Cuarón. There won’t be enough left over for Aparicio to win.

*I don’t know how much I agree with this sentiment, but this is my cynical read of the situation.


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