The Pitch: Let's find a way to wordplay our way into doing a movie about kissing cousins.
What Took Me So Long: Kissing cousins is not a hook for me (no offense to any of my cousins), and that is exactly what I thought this movie was based on the Netflix blip.
Why I Saw It: (Club 50) I like Ted Danson as a Hollywood leading man. He really mastered the whole TV and Movies thing like Steve Carrell did a couple years ago, and he more or less dropped off for a while. I wouldn't say qualitatively that this is one of the ones that brought him back down, but popularity-wise, it certainly didn't help. Basically, it's just a movie about the victims of an affair bonding and finding love (I think. I forget the ending and it's only been a couple days since I say this).
Why I Wish I Hadn't: I think the premise was more interesting than the movie ended up being. I like the blooming friendship of the two cuckolds and ultimately would've been more interesting if it wasn't a story about romantic love between the leads. Perhaps I'm a cynic that way.
Verdict (?): Weakly Don't Recommend
Thursday, October 10, 2013
Wednesday, October 9, 2013
DVR Purge: 10/2-10/8
We're a few weeks into the TV season and a couple things are becoming apparent 1) I'm kidding myself if I think I'll be doing multiple of these each week, and, more importantly 2) I'm settling into which shows I will and won't be continuing with. I've picked up a lot of shows but without the FXX load and dropping Showtime (because I'm cheap) this is all feeling pretty manageable). Knowing myself, this feeling won't last long. For now, I'm liking it.
Past Purges
The Middle "Change in the Air"
That was a sweet episode for Frankie and Mike. One episode in, they are handling Axl's absence right. The trick is always about how this will play over the season though. I keep hoping they don't go the Modern Family route of getting Axl kicked out. Having Brick be the actual family contact for Axl was a nice twist on things too. This show gets how to do a traditional family comedy right.
Back in the Game "Stay in or Bail Out"
If ever there was proof that a good lead is all you need to make a show work, see Maggie Lawson's work in this. James Caan is nice and the kid, whose name I'll eventually learn is one of the better child actors in a comedy (so far). I even like the d-bag who isn't quite a love interest. But, this show works because of Lawson who I am so happy has a starring vehicle. With any luck, this will stick around for at least the season. This hasn't been a volatile timeslot the past few seasons.
Modern Family "Larry's Wife"
Three episodes in and the season is looking strong so far. The Manny and Jay story was a little out of nowhere and everything with the baby was cartoonish. Neither horrible though. Cam and Mitchell's stories were the most colorful, as always, but not in the lazy ways they normally are. The Dunphys carried this for me, unsurprisingly. Phil and Claire would've bother the hell out of me if not for the ending when Claire reminds him that she is working with him, not against. Then, the poker game with the kids was great. Luke continues to be my favorite character in the show, even when he's working with trash minutes. The speed of almost everything with Haley, Alex, and him was impressive. I wish there was an "Under 18" field in the Emmys (and yes, I'm very aware that Haley and the actress are well over 18).
Super Fun Night "Anything for Love"
I have no desire to ever watch this show again, which is a shame. First of all, don't have Rebel Wilson do an American accent. It's not a good one and it's like she is putting so much effort into that that it's throwing off all her timing. Second, I have no interest in seeing her play the straight women (comically) who bad things happen to. She should drive the funny, not let it happen to her. Despite wanting success for Wilson and for Liza Lapira to finally join a show that works, I can't watch this again. (Note: If I hear from people that this improves, I'll be happy to give it another chance)
The Bridge "The Crazy Place"
DVR didn't mess up, but cable went out. Still haven't gotten around to finding it online somewhere yet.
Parks and Recreation "The Pawnee-Eagleton Tip Off Classic"
I feel like I need one of those zappers that goes off whenever I start to doubt P&R because it is too consistent. I laughed heartily throughout the episode, especially at Ron's reaction to things like Vine and the Chris Bosh cameo. I can certainly find stronger episodes of P&R out there, but as with 30 Rock a few seasons back, I've been spoiled by the fact that it's so good. At the moment, it is tough because, in my mind, it is without peers. I'd say this week's episode is my favorite comedy episode of the week, but since it may not be a P&R 10 out of 10 due to so story rehashing and following a great episode, I'm feel down on it. See, I need to be zapped. I'm starting to be that whiny fan.
The Big Bang Theory "The Scavenger Vortex"
I love love love uncommon pairings. Most shows rotate the cast stories a lot (try and think of a paring that would shock you in a P&R b-story), but more traditional shows like Big Bang tend to stick to gender divides or couples so this episode feels completely fresh. I think part of it is because Raj can be in scenes more freely now. So nice.
The Crazy Ones "The Spectacular"
I'm really digging this show. Sure, Robin Williams is barely doing a character but I don't care. Sarah Michelle Gellar would definitely be better served by being allowed to drive scenes a little more. That can still be adjusted though. I got countless laughs from basically everything involving Zach and Andrew (He really does look better in the jacket).
Sean Saves the World "Pilot"
I don't think I've ever seen a show to work so hard to fit ALL of its exposition in before the opening credits. It didn't just tell you everything about Sean's new boss and that he's a gay man who just started raising his daughter after the mother moved away. It repeated everything numerous times. I have no idea what later episodes of this will look like because I can't imagine this much repeating of things in every episode. Actually, I do have an idea of what later episodes will look like and I'm not on board. Have fun, people who enjoyed this more than I did.
The Michael J Fox Show "Art"
The show is already starting to take form. This is the first one in which I felt like I was watching "Michael J Fox, TV star" rather than "Michael J Fox, remember, he has Parkinson's" and that was nice. Betsy Brandt is good in this. I tend to forget she can do comedy after watching her on Breaking Bad for so long. The kids are still there primarily to give the parents something to do. The sister is completely disposable right now. I get the feeling that if any of the kids prove more able to handle more screen time, she will disappear. While I like Wendell Pierce being around, I do think it is a smart move to not focus too much time at the news studio.
Parenthood "All Aboard Who's Coming Aboard"
I know I'm always supposed to side with a Braverman but I am totally on the restaurant patron's side, not Crosby and Jasmine's. I don't have a kid, so I'm going to side with people who like quiet more. I'm not really concern with if that makes me inconsiderate. A lot of setting things into motion here between Amber's wedding, Zeek and Camille moving, Kristina announcing her candidacy, etc. I can't wait to see where these go.
SNL "Miley Cyrus"
I spent entirely too much time talking about last week's episode, so I'll try to be brief this time. It was an OK episode. I love Mornin' Miami and the digital short toward the end. Strong is settling into Weekend Update quite nicely. Miley Cyrus did an ok job hosting. She had a couple sketches like the opening one in which I was impressed by her level of preparation (ex. what she says when she wakes up every morning). I'm approving of the new featured players collectively. Individually, I can't tell any of those white guys apart [yet].
How I Met Your Mother "The Broken Code"
Come on! I thought the whole point of this final season was so that they could tell some before and after stories with the wedding as a framing device. The episodes haven't been bad. In fact, I've liked them more than the past few seasons, but I hate this Mother tease.
SHIELD "The Asset"
Yay! No baseball-related DSR delays this week. I want to be honest here. SHIELD is not my kind of show. It's both procedural and quasi-sci-fi. If you look at my show selection and history, I'm not drawn to that kind of thing. That's not a judgment. That's just me saying I won't be geeking out while watching this and I'm probably going to grade it on a curve. The team is coming together nicely. The effects aren't distracting which was one of my biggest worries going in. The dynamics of the team are getting established quickly and effectively, which I like. I still have a lot of questions about if this can ever be a show that will elevate itself (the fetters put on it by Disney, ABC, and most importantly, Marvel will probably always hold it down some). It looks like we are getting a recurring villain this week and I'm excited to see what is done with that.
Brooklyn Nine Nine "M.E. Time"
Good, they kept Peralta and Holt away from each other this week. It is clear that the writers are worried about calibrating Peralta because the way his is in the pilot is not sustainable. It's clear here that he can't help himself but he is aware he needs to improve, in this case, by being a better secondary. I love the payoff of the gag about not being about to read Capt. Holt with him exploding at Scully. I'm liking Santiago which surprises me. I assumed she would be nothing but the foil for Peralta in the pilot but they seem determine to make her more than that. Also worth noting, Det. Riaz is being fleshed out more than I expected.
New Girl "The Captain"
I must say, I did not see that turn away from insanity for Winston coming. I would've found the cat pimping annoying had he not come to the realization at the end. It made everything in hindsight funnier. Also, while I'm not a fan of the manipulation by Schmitdt (seriously, why did both of them listen to him after he said he was trying to break them up?), all of the fallout from The Captain was A+ material.
The Mindy Project "Music Festival"
I missed Adam Pally's introduction last week. If this week is any indication though, there's some tweaking to be done on his character. I'm glad they are having Mindy actually deal with her breakup. With how much the show tends to change tonally, week to week, I worried there would be little mention of this.
Trophy Wife "The Social Network"
I really hope this show gets a full season. I was happy to see Natalie Morales return. While I hate the "parents snooping on teenager" story, this episode found enough great twists on it that I kind of liked it. Pete's updating her status is the kind of "older people just don't understand technology" farce that I could do without. Otherwise, I loved how the party is the lamest thing imaginable and everything about Diane creating a fake "facebook" account, including the tag at the end, was funny.
Past Purges
The Middle "Change in the Air"
That was a sweet episode for Frankie and Mike. One episode in, they are handling Axl's absence right. The trick is always about how this will play over the season though. I keep hoping they don't go the Modern Family route of getting Axl kicked out. Having Brick be the actual family contact for Axl was a nice twist on things too. This show gets how to do a traditional family comedy right.
Back in the Game "Stay in or Bail Out"
If ever there was proof that a good lead is all you need to make a show work, see Maggie Lawson's work in this. James Caan is nice and the kid, whose name I'll eventually learn is one of the better child actors in a comedy (so far). I even like the d-bag who isn't quite a love interest. But, this show works because of Lawson who I am so happy has a starring vehicle. With any luck, this will stick around for at least the season. This hasn't been a volatile timeslot the past few seasons.
Modern Family "Larry's Wife"
Three episodes in and the season is looking strong so far. The Manny and Jay story was a little out of nowhere and everything with the baby was cartoonish. Neither horrible though. Cam and Mitchell's stories were the most colorful, as always, but not in the lazy ways they normally are. The Dunphys carried this for me, unsurprisingly. Phil and Claire would've bother the hell out of me if not for the ending when Claire reminds him that she is working with him, not against. Then, the poker game with the kids was great. Luke continues to be my favorite character in the show, even when he's working with trash minutes. The speed of almost everything with Haley, Alex, and him was impressive. I wish there was an "Under 18" field in the Emmys (and yes, I'm very aware that Haley and the actress are well over 18).
Super Fun Night "Anything for Love"
I have no desire to ever watch this show again, which is a shame. First of all, don't have Rebel Wilson do an American accent. It's not a good one and it's like she is putting so much effort into that that it's throwing off all her timing. Second, I have no interest in seeing her play the straight women (comically) who bad things happen to. She should drive the funny, not let it happen to her. Despite wanting success for Wilson and for Liza Lapira to finally join a show that works, I can't watch this again. (Note: If I hear from people that this improves, I'll be happy to give it another chance)
The Bridge "The Crazy Place"
DVR didn't mess up, but cable went out. Still haven't gotten around to finding it online somewhere yet.
Parks and Recreation "The Pawnee-Eagleton Tip Off Classic"
I feel like I need one of those zappers that goes off whenever I start to doubt P&R because it is too consistent. I laughed heartily throughout the episode, especially at Ron's reaction to things like Vine and the Chris Bosh cameo. I can certainly find stronger episodes of P&R out there, but as with 30 Rock a few seasons back, I've been spoiled by the fact that it's so good. At the moment, it is tough because, in my mind, it is without peers. I'd say this week's episode is my favorite comedy episode of the week, but since it may not be a P&R 10 out of 10 due to so story rehashing and following a great episode, I'm feel down on it. See, I need to be zapped. I'm starting to be that whiny fan.
The Big Bang Theory "The Scavenger Vortex"
I love love love uncommon pairings. Most shows rotate the cast stories a lot (try and think of a paring that would shock you in a P&R b-story), but more traditional shows like Big Bang tend to stick to gender divides or couples so this episode feels completely fresh. I think part of it is because Raj can be in scenes more freely now. So nice.
The Crazy Ones "The Spectacular"
I'm really digging this show. Sure, Robin Williams is barely doing a character but I don't care. Sarah Michelle Gellar would definitely be better served by being allowed to drive scenes a little more. That can still be adjusted though. I got countless laughs from basically everything involving Zach and Andrew (He really does look better in the jacket).
Sean Saves the World "Pilot"
I don't think I've ever seen a show to work so hard to fit ALL of its exposition in before the opening credits. It didn't just tell you everything about Sean's new boss and that he's a gay man who just started raising his daughter after the mother moved away. It repeated everything numerous times. I have no idea what later episodes of this will look like because I can't imagine this much repeating of things in every episode. Actually, I do have an idea of what later episodes will look like and I'm not on board. Have fun, people who enjoyed this more than I did.
The Michael J Fox Show "Art"
The show is already starting to take form. This is the first one in which I felt like I was watching "Michael J Fox, TV star" rather than "Michael J Fox, remember, he has Parkinson's" and that was nice. Betsy Brandt is good in this. I tend to forget she can do comedy after watching her on Breaking Bad for so long. The kids are still there primarily to give the parents something to do. The sister is completely disposable right now. I get the feeling that if any of the kids prove more able to handle more screen time, she will disappear. While I like Wendell Pierce being around, I do think it is a smart move to not focus too much time at the news studio.
Parenthood "All Aboard Who's Coming Aboard"
I know I'm always supposed to side with a Braverman but I am totally on the restaurant patron's side, not Crosby and Jasmine's. I don't have a kid, so I'm going to side with people who like quiet more. I'm not really concern with if that makes me inconsiderate. A lot of setting things into motion here between Amber's wedding, Zeek and Camille moving, Kristina announcing her candidacy, etc. I can't wait to see where these go.
SNL "Miley Cyrus"
I spent entirely too much time talking about last week's episode, so I'll try to be brief this time. It was an OK episode. I love Mornin' Miami and the digital short toward the end. Strong is settling into Weekend Update quite nicely. Miley Cyrus did an ok job hosting. She had a couple sketches like the opening one in which I was impressed by her level of preparation (ex. what she says when she wakes up every morning). I'm approving of the new featured players collectively. Individually, I can't tell any of those white guys apart [yet].
How I Met Your Mother "The Broken Code"
Come on! I thought the whole point of this final season was so that they could tell some before and after stories with the wedding as a framing device. The episodes haven't been bad. In fact, I've liked them more than the past few seasons, but I hate this Mother tease.
SHIELD "The Asset"
Yay! No baseball-related DSR delays this week. I want to be honest here. SHIELD is not my kind of show. It's both procedural and quasi-sci-fi. If you look at my show selection and history, I'm not drawn to that kind of thing. That's not a judgment. That's just me saying I won't be geeking out while watching this and I'm probably going to grade it on a curve. The team is coming together nicely. The effects aren't distracting which was one of my biggest worries going in. The dynamics of the team are getting established quickly and effectively, which I like. I still have a lot of questions about if this can ever be a show that will elevate itself (the fetters put on it by Disney, ABC, and most importantly, Marvel will probably always hold it down some). It looks like we are getting a recurring villain this week and I'm excited to see what is done with that.
Brooklyn Nine Nine "M.E. Time"
Good, they kept Peralta and Holt away from each other this week. It is clear that the writers are worried about calibrating Peralta because the way his is in the pilot is not sustainable. It's clear here that he can't help himself but he is aware he needs to improve, in this case, by being a better secondary. I love the payoff of the gag about not being about to read Capt. Holt with him exploding at Scully. I'm liking Santiago which surprises me. I assumed she would be nothing but the foil for Peralta in the pilot but they seem determine to make her more than that. Also worth noting, Det. Riaz is being fleshed out more than I expected.
New Girl "The Captain"
I must say, I did not see that turn away from insanity for Winston coming. I would've found the cat pimping annoying had he not come to the realization at the end. It made everything in hindsight funnier. Also, while I'm not a fan of the manipulation by Schmitdt (seriously, why did both of them listen to him after he said he was trying to break them up?), all of the fallout from The Captain was A+ material.
The Mindy Project "Music Festival"
I missed Adam Pally's introduction last week. If this week is any indication though, there's some tweaking to be done on his character. I'm glad they are having Mindy actually deal with her breakup. With how much the show tends to change tonally, week to week, I worried there would be little mention of this.
Trophy Wife "The Social Network"
I really hope this show gets a full season. I was happy to see Natalie Morales return. While I hate the "parents snooping on teenager" story, this episode found enough great twists on it that I kind of liked it. Pete's updating her status is the kind of "older people just don't understand technology" farce that I could do without. Otherwise, I loved how the party is the lamest thing imaginable and everything about Diane creating a fake "facebook" account, including the tag at the end, was funny.
Tuesday, October 8, 2013
Delayed Reaction: Days of Thunder
The Pitch: My name is Jerry Bruckheimer and I want to do a loud movie with Tom Cruise. NASCAR is loud. Make it about that.
What Took Me So Long: I've seen this movie before, even if I haven't seen this exact movie.
Why I Saw It: (Club 50) It delivers what it promises. It is a big, loud, racing movie. Tom Cruise gets to be a movie star. Nicole Kidman get to be an independent, over-accomplished, but hopelessly in-love love interest. Micahel Rooker gets to be the best frenemy. Robert Duvall gets to hone his gruff, mentor persona. It's all there folks. For what it is, I found it entertaining.
Why I Wish I Hadn't: I don't know if this movie is the template for all future racing stories or if it is merely another in a long tradition of derivative racing stories. Seriously, how many times do I have to see a racing story following this exact pattern: Racer moves up the ranks. Racer gets injured. While he recovers, another racer moves up the ranks. Both racers face off for the biggest race? I suppose it is an effective structure, but there's got to be more out there. Even the "friends become enemies" plot at the beginning is tired. Once again, I want to say, I'm not a historian of this sub-genre and all the examples I know of (Driven, Talladega Nights, Motocrossed, that new Ron Howard one) are more recent, so maybe this was the first movie to use this structure (I doubt it), in which case, it can't be faulted for being a trend setter.
Verdict (?): Weakly Recommend
What Took Me So Long: I've seen this movie before, even if I haven't seen this exact movie.
Why I Saw It: (Club 50) It delivers what it promises. It is a big, loud, racing movie. Tom Cruise gets to be a movie star. Nicole Kidman get to be an independent, over-accomplished, but hopelessly in-love love interest. Micahel Rooker gets to be the best frenemy. Robert Duvall gets to hone his gruff, mentor persona. It's all there folks. For what it is, I found it entertaining.
Why I Wish I Hadn't: I don't know if this movie is the template for all future racing stories or if it is merely another in a long tradition of derivative racing stories. Seriously, how many times do I have to see a racing story following this exact pattern: Racer moves up the ranks. Racer gets injured. While he recovers, another racer moves up the ranks. Both racers face off for the biggest race? I suppose it is an effective structure, but there's got to be more out there. Even the "friends become enemies" plot at the beginning is tired. Once again, I want to say, I'm not a historian of this sub-genre and all the examples I know of (Driven, Talladega Nights, Motocrossed, that new Ron Howard one) are more recent, so maybe this was the first movie to use this structure (I doubt it), in which case, it can't be faulted for being a trend setter.
Verdict (?): Weakly Recommend
Monday, October 7, 2013
Movie Reaction: Gravity
Formula: ...I don't have a good comparison, so I'll be lazy and say Children of Men + space
Why I Saw It: Great reviews. Great cast. Great director. Great marketing. This movie has nothing working against it.
Cast: It's basically Sandra Bullock, George Clooney, and some voices. Bullock is the lead and Clooney supporting, which isn't a spoiler because the marketing makes that pretty clear. It's tough to rate the acting in this, because so much of it is closely tied to the effects. For example, when someone is floating around in a space station, that is so foreign, I don't even know how to say "that seems true to the character". I don't want any of this to imply that I thought these were lesser performances. This is some of Bullock and Clooney's best work (even if you could say Clooney was just playing an astronaut George Clooney). I just want to highlight that it's tough to compare the performances to anything.
Plot: After an accident, Sandra Bullock's character tries to get back to Earth. That's the plot. Knowing that, I came in quite worried about how they would fill 90 minutes and those worries were unfounded. It turns out, it's a lot of work to get back in Earth's atmosphere. For most of the run, the movie is a visceral experience. Multiple times I had to pull myself back to my seat because I'd shot forward in suspense or tension. Despite to small cast, there's a surprising amount of dialogue which stopped it from seeming too mechanical. It's such a simple story that is so beautifully done.
Elephant in the Room: It looks like it might be too engrossing? My biggest fear about this movie was that it would be a great looking art film, but not exactly accessible. One of those movies that I say I liked to not sound uncultured but have no desire to see again. And let me be clear, this is a very expensive art project, but one with legit commercial appeal and bankable stars. This is also a case in which 3D is not a gimmick. I saw this in 3D on the biggest screen I could find and I don't know how I could see it any other way. I can count on one hand the number of times I've actually ducked in my seat from something in a movie coming at me and this has a couple of those moments. It was some of the best 3D I've seen in a while.
To Sum Things Up:
See this movie. You don't have a good reason not to. While you're at it, splurge for that 3D ticket. It's worth it. I was thrilled to see this opened so strong this weekend because this had the potential to look too experimental for most audiences. I'm not sure how likely I'd be to see this on video since it is built to be seen on a big screen, so I'd recommend you see it now. Anyone thinking this looks a little boring will quickly realize how wrong they are. This has been worth the wait.
Verdict (?): Strongly Recommend
Why I Saw It: Great reviews. Great cast. Great director. Great marketing. This movie has nothing working against it.
Cast: It's basically Sandra Bullock, George Clooney, and some voices. Bullock is the lead and Clooney supporting, which isn't a spoiler because the marketing makes that pretty clear. It's tough to rate the acting in this, because so much of it is closely tied to the effects. For example, when someone is floating around in a space station, that is so foreign, I don't even know how to say "that seems true to the character". I don't want any of this to imply that I thought these were lesser performances. This is some of Bullock and Clooney's best work (even if you could say Clooney was just playing an astronaut George Clooney). I just want to highlight that it's tough to compare the performances to anything.
Plot: After an accident, Sandra Bullock's character tries to get back to Earth. That's the plot. Knowing that, I came in quite worried about how they would fill 90 minutes and those worries were unfounded. It turns out, it's a lot of work to get back in Earth's atmosphere. For most of the run, the movie is a visceral experience. Multiple times I had to pull myself back to my seat because I'd shot forward in suspense or tension. Despite to small cast, there's a surprising amount of dialogue which stopped it from seeming too mechanical. It's such a simple story that is so beautifully done.
Elephant in the Room: It looks like it might be too engrossing? My biggest fear about this movie was that it would be a great looking art film, but not exactly accessible. One of those movies that I say I liked to not sound uncultured but have no desire to see again. And let me be clear, this is a very expensive art project, but one with legit commercial appeal and bankable stars. This is also a case in which 3D is not a gimmick. I saw this in 3D on the biggest screen I could find and I don't know how I could see it any other way. I can count on one hand the number of times I've actually ducked in my seat from something in a movie coming at me and this has a couple of those moments. It was some of the best 3D I've seen in a while.
To Sum Things Up:
See this movie. You don't have a good reason not to. While you're at it, splurge for that 3D ticket. It's worth it. I was thrilled to see this opened so strong this weekend because this had the potential to look too experimental for most audiences. I'm not sure how likely I'd be to see this on video since it is built to be seen on a big screen, so I'd recommend you see it now. Anyone thinking this looks a little boring will quickly realize how wrong they are. This has been worth the wait.
Verdict (?): Strongly Recommend
Sunday, October 6, 2013
Delayed Reaction: Daylight
The Pitch: A movie about escaping after a cave implodes, but we want it better lit and more logically structured, so how about a car tunnel instead?
What Took Me So Long: I thought it was a drama about street traffic, and after being fooled by the movie Traffic, I was not eager to dip back in to the sub-sub-genre.
Why I Saw It: (Club 50) Sylvester Stallone is a vintage action hero. In 96' he was still barely in the range of not being ridiculously old for this sort of movie. I was surprised how many people in the group didn't make it out of the tunnel. Given that it was a mid 90s movie and in a toned down cousin of the action movie, I assumed it would be one where the core group is formed, then maybe one guy dies. Quite the opposite. I never expected Viggo Mortensen, even pre-Aaragorn to be picked off so early on. Most importantly, the dog survives.
Why I Wish I Hadn't: I could've done without the scenes with the fans. That was over the top. This is one of those movies that had almost too much maneuvering to get to the pitch. They wanted people to be trapped in a tunnel, but they had to come up with a lot of excuses for them to not be able to get out easily.
Verdict (?): Weakly Don't Recommend
What Took Me So Long: I thought it was a drama about street traffic, and after being fooled by the movie Traffic, I was not eager to dip back in to the sub-sub-genre.
Why I Saw It: (Club 50) Sylvester Stallone is a vintage action hero. In 96' he was still barely in the range of not being ridiculously old for this sort of movie. I was surprised how many people in the group didn't make it out of the tunnel. Given that it was a mid 90s movie and in a toned down cousin of the action movie, I assumed it would be one where the core group is formed, then maybe one guy dies. Quite the opposite. I never expected Viggo Mortensen, even pre-Aaragorn to be picked off so early on. Most importantly, the dog survives.
Why I Wish I Hadn't: I could've done without the scenes with the fans. That was over the top. This is one of those movies that had almost too much maneuvering to get to the pitch. They wanted people to be trapped in a tunnel, but they had to come up with a lot of excuses for them to not be able to get out easily.
Verdict (?): Weakly Don't Recommend
Saturday, October 5, 2013
Delayed Reaction: The Living Daylights
The Pitch: It's 1987 and we want to make a Bond movie.
What Took Me So Long: I tend to forget which Bond movies I have and have not seen.
Why I Saw It: (Club 50) At it turns out, this was one of the Bond movies I hadn't seen yet. I'd like to find something to say about it, but it's a classic Bond movie. They tend to have the same beats every time. I will say, Dalton is a good Bond. He's got his own demeanor and it works for him, although I appreciate a little more snark from the character. The movie sure reminds me how much I miss having the Soviets as natural foils. They keep having to be creative creating criminal syndicates or something. Back in the 80s, you'd call a guy Koskov and of course he's a villain.
Why I Wish I Hadn't: The Bond franchise is hardly my favorite. I like the movies and they are fun time capsules, but I'm not one to gush about them. Of what I've seen, like all long-running things that lived through the 80s (See Saturday Night Live), they hit some rough times before returning strong in the 90s (see Goldeneye).
Verdict (?): Weakly Recommend
What Took Me So Long: I tend to forget which Bond movies I have and have not seen.
Why I Saw It: (Club 50) At it turns out, this was one of the Bond movies I hadn't seen yet. I'd like to find something to say about it, but it's a classic Bond movie. They tend to have the same beats every time. I will say, Dalton is a good Bond. He's got his own demeanor and it works for him, although I appreciate a little more snark from the character. The movie sure reminds me how much I miss having the Soviets as natural foils. They keep having to be creative creating criminal syndicates or something. Back in the 80s, you'd call a guy Koskov and of course he's a villain.
Why I Wish I Hadn't: The Bond franchise is hardly my favorite. I like the movies and they are fun time capsules, but I'm not one to gush about them. Of what I've seen, like all long-running things that lived through the 80s (See Saturday Night Live), they hit some rough times before returning strong in the 90s (see Goldeneye).
Verdict (?): Weakly Recommend
Friday, October 4, 2013
Delayed Reaction: Interview with the Vampire
The Pitch: The pitch is in the title. I think there was a book too, so that was probably a strong selling point as well.
What Took Me So Long: I was tired of vampires before they were everywhere.
Why I Saw It: (Club 50) It's one of those movies. You know? It has chased me for years and I kept not watching it until one day, I realized "I have no reason not to watch it." Brad Pitt plays a vampire about as earnestly as he can. Tom Cruise is having a little more fun with it. Kirsten Dunst gives one of those performances that makes you wonder how if she was that good when she was 11 or 12, how is she not dominating the awards circuit by now.
Why I Wish I Hadn't: It's definitely a little long, but if I'm going to pick out something about it that I didn't enjoy, I'll go abstract and say that it's a little full of itself. I'm not even sure what I mean by that either.
Verdict (?): Weakly Recommend
What Took Me So Long: I was tired of vampires before they were everywhere.
Why I Saw It: (Club 50) It's one of those movies. You know? It has chased me for years and I kept not watching it until one day, I realized "I have no reason not to watch it." Brad Pitt plays a vampire about as earnestly as he can. Tom Cruise is having a little more fun with it. Kirsten Dunst gives one of those performances that makes you wonder how if she was that good when she was 11 or 12, how is she not dominating the awards circuit by now.
Why I Wish I Hadn't: It's definitely a little long, but if I'm going to pick out something about it that I didn't enjoy, I'll go abstract and say that it's a little full of itself. I'm not even sure what I mean by that either.
Verdict (?): Weakly Recommend
Thursday, October 3, 2013
October Preview
Just as I hoped, it was a nice, slow September. The selection of movies was better than I expected and there's still a couple I'd like to see expand enough (Drinking Buddies, Hell Baby). October is looking consistent although not overstuffed.
The Lock: Gravity
I'm sure you've seen a preview for this by now. It looks like one big, expensive Hollywood art project. I've been waiting for Sandra Bullock to prove her Oscar win wasn't a fluke and George Clooney's Oscar grab movies tend to be pretty good. I like what director Alfonso Cauron did with Children of Men and this is his first movie since that in 2006. I've heard rave reviews for this and badly want to see this on the biggest screen I can find.
Odds I'll See It: 90%
In Consideration:
Runner Runner - Don't you get the sense that this movie is going to take itself too seriously? I like Justin Timberlake and Ben Affleck still has that Oscar sheen on him that makes anything he does look a little better. Still, this sounds like an online poker version of Sliders and after the trainwreck that was In Time, I'm not sure J.T. has my benefit of the doubt in this genre.
Odds I'll See It: 5%
A.C.O.D. [Limited] - AKA Adult Children of Divorce. Starring Adam Scott with Amy Pohler as his step mom, Richard Jenkins, Catherine O'Hara, Mary Elizabeth Winstead, and the list goes on. This looks like one of those movies that is billed as a comedy but is maybe better called a dramady. It probably won't make it to my neck of the woods anyway so I see Netflix in its future.
Odds I'll See It: 42% (if it expands enough)
The Lock: Captain Phillips
I'm a little surprised how much Oscar buzz this is getting for Tom Hanks. This is from the director of some Bourne movies and this looks like a pretty standard thriller. Is Tom Hanks enough to warrant award consideration on his own? I think it looks pretty good though, so I'm all for it.
Odds I'll See It: 77%
In Consideration:
Machete Kills - I'm yet to see the first movie and that will be my primary reason for not seeing this. This is one of those beautifully eclectic casts that ranges from Mel Gibson to Vanessa Hudgens to Lady Gaga. I have no idea what it is about but it looks like it will be insane.
Odds I'll See It: 37%
Romeo and Juliet [Limited] - It has the girl from True Grit...I won't be seeing this. Figured I should mention it to let people know they are finally making a movie out of this often ignored Shakespeare play.
Odds I'll See It: 0%
The Lock: 12 Years as a Slave [Limited]
The question here is when. The 1800s slave picture is the current front-runner for the Oscar. It kind of sounds like the Director of Shame is doing his version of Django Unchained. I'm curious to see whether the buzz is due to white guilt or if it really is that good. I've heard a lot of early praise about Chiwetel Ejiofor's performance.
Odds I'll See It: 80% (It's a matter of when, not if)
In Consideration:
Carrie - If I see this it will be entirely because for Chloe Moretz. I'm rooting for her to come out of this child actor thing the right way because few actors in Hollywood (male or female, young or old) have be as reliable as her in the past five years. I do worry that there's no way remaking such a well known and iconic horror movie can turn out well. We'll see.
Odds I'll See It: 50%
Escape Plan - I saw The Last Stand, so I can't laugh off the possibility that I would see this Arnold Schwartzenegger/Slyvester Stallone joint. Then again, I would rather my weekly streak end than pay to see this.
Odds I'll See It: 2%
The Fifth Estate - The reviews for this Wiki-Leaks drama have been tepid. I haven't even heard the standard "at least the acting was good" line when critics want to find something to compliment. Mostly though, an albino-looking Benedict Cumberbatch freaks me out and will probably keep me away.
Odds I'll See It: 15%
All Is Lost [Limited] - Let's see, Life of Pi without the tiger. It a crowded Fall and holiday season this will have to pull some major award nomination for me to even bother before it's on video.
Odds I'll See It: 7%
The Lock: The Cousellor
Directed by Ridley Scott. An original screenplay written by a guy with a Pulitzer prize. Michael Fassbender, Cameron Diaz, Penelope Cruz, Javier Bardem, and Brad Pitt in front of the camera. That's a lot of credentials all-around and the movie looks cool as hell. I'm not sure it'll be reinventing the drug cartel movie but I'm happy as long as it's a solid entry in it.
Odds I'll See It: 69%
In Consideration:
Bad Grandpa - I'll admit it. I like the Jack-Ass movies. When it's a couple of dumbasses playing pranks on one another or pulling stupid stunts, I can laugh at that. I absolutely cannot stand when the jokes are being played on innocent people. I don't find it funny at all and that looks to be what Bad Grandpa is doing. Short of this being a huge hit (See: Borat), I can't see a situation in which I would ever see this, let alone in theaters.
Odds I'll See It: <1%
Blue is the Warmest Color [Limited] - I'm not too insecure to admit that Cannes tends to be a little artsy for my taste and this Cannes darling looks to be in that mold. I'm moderately curious about this French lesbian love story but the potential for it to play out like The Tree of Life is likely enough to keep me from trying this out in theaters (if it even expands here).
Odds I'll See It: 10%
10/4
The Lock: Gravity
I'm sure you've seen a preview for this by now. It looks like one big, expensive Hollywood art project. I've been waiting for Sandra Bullock to prove her Oscar win wasn't a fluke and George Clooney's Oscar grab movies tend to be pretty good. I like what director Alfonso Cauron did with Children of Men and this is his first movie since that in 2006. I've heard rave reviews for this and badly want to see this on the biggest screen I can find.
Odds I'll See It: 90%
In Consideration:
Runner Runner - Don't you get the sense that this movie is going to take itself too seriously? I like Justin Timberlake and Ben Affleck still has that Oscar sheen on him that makes anything he does look a little better. Still, this sounds like an online poker version of Sliders and after the trainwreck that was In Time, I'm not sure J.T. has my benefit of the doubt in this genre.
Odds I'll See It: 5%
A.C.O.D. [Limited] - AKA Adult Children of Divorce. Starring Adam Scott with Amy Pohler as his step mom, Richard Jenkins, Catherine O'Hara, Mary Elizabeth Winstead, and the list goes on. This looks like one of those movies that is billed as a comedy but is maybe better called a dramady. It probably won't make it to my neck of the woods anyway so I see Netflix in its future.
Odds I'll See It: 42% (if it expands enough)
10/11
The Lock: Captain Phillips
I'm a little surprised how much Oscar buzz this is getting for Tom Hanks. This is from the director of some Bourne movies and this looks like a pretty standard thriller. Is Tom Hanks enough to warrant award consideration on his own? I think it looks pretty good though, so I'm all for it.
Odds I'll See It: 77%
In Consideration:
Machete Kills - I'm yet to see the first movie and that will be my primary reason for not seeing this. This is one of those beautifully eclectic casts that ranges from Mel Gibson to Vanessa Hudgens to Lady Gaga. I have no idea what it is about but it looks like it will be insane.
Odds I'll See It: 37%
Romeo and Juliet [Limited] - It has the girl from True Grit...I won't be seeing this. Figured I should mention it to let people know they are finally making a movie out of this often ignored Shakespeare play.
Odds I'll See It: 0%
10/18
The Lock: 12 Years as a Slave [Limited]
The question here is when. The 1800s slave picture is the current front-runner for the Oscar. It kind of sounds like the Director of Shame is doing his version of Django Unchained. I'm curious to see whether the buzz is due to white guilt or if it really is that good. I've heard a lot of early praise about Chiwetel Ejiofor's performance.
Odds I'll See It: 80% (It's a matter of when, not if)
In Consideration:
Carrie - If I see this it will be entirely because for Chloe Moretz. I'm rooting for her to come out of this child actor thing the right way because few actors in Hollywood (male or female, young or old) have be as reliable as her in the past five years. I do worry that there's no way remaking such a well known and iconic horror movie can turn out well. We'll see.
Odds I'll See It: 50%
Escape Plan - I saw The Last Stand, so I can't laugh off the possibility that I would see this Arnold Schwartzenegger/Slyvester Stallone joint. Then again, I would rather my weekly streak end than pay to see this.
Odds I'll See It: 2%
The Fifth Estate - The reviews for this Wiki-Leaks drama have been tepid. I haven't even heard the standard "at least the acting was good" line when critics want to find something to compliment. Mostly though, an albino-looking Benedict Cumberbatch freaks me out and will probably keep me away.
Odds I'll See It: 15%
All Is Lost [Limited] - Let's see, Life of Pi without the tiger. It a crowded Fall and holiday season this will have to pull some major award nomination for me to even bother before it's on video.
Odds I'll See It: 7%
10/25
The Lock: The Cousellor
Directed by Ridley Scott. An original screenplay written by a guy with a Pulitzer prize. Michael Fassbender, Cameron Diaz, Penelope Cruz, Javier Bardem, and Brad Pitt in front of the camera. That's a lot of credentials all-around and the movie looks cool as hell. I'm not sure it'll be reinventing the drug cartel movie but I'm happy as long as it's a solid entry in it.
Odds I'll See It: 69%
In Consideration:
Bad Grandpa - I'll admit it. I like the Jack-Ass movies. When it's a couple of dumbasses playing pranks on one another or pulling stupid stunts, I can laugh at that. I absolutely cannot stand when the jokes are being played on innocent people. I don't find it funny at all and that looks to be what Bad Grandpa is doing. Short of this being a huge hit (See: Borat), I can't see a situation in which I would ever see this, let alone in theaters.
Odds I'll See It: <1%
Blue is the Warmest Color [Limited] - I'm not too insecure to admit that Cannes tends to be a little artsy for my taste and this Cannes darling looks to be in that mold. I'm moderately curious about this French lesbian love story but the potential for it to play out like The Tree of Life is likely enough to keep me from trying this out in theaters (if it even expands here).
Odds I'll See It: 10%
Wednesday, October 2, 2013
DVR Purge: 9/25-10/1
Holy shit! This is why I don't leave this to weekly. I forgot to post what I had Sunday. Now I've got this hot mess. I'm not proofreading. Sorry for any typos.
Past Purges
The Middle "The Drop Off"
I think this show will have one of the easier times dealing with the child going to college. I doubt we will see any of the Haley nonesense from Modern Family. Mostly, I'm so happy to have this show and its callbacks (Yay! They remembered the snack bag this time!).
Back in the Game "Pilot"
I'm surprised how easily and effectively Maggie Lawson carried this episode. I never thought of her as lead material, but this has me thinking otherwise. I worry about anything that is this kid-heavy and James Caan is nowhere near as effective [yet] as he should be. There was enough chuckleworthy moments in this (Lawson throwing the ball at the douche's head; the son kissing the other boy, "He's afraid of me now, and he doesn't know why") that I'm absolutely excited for the next episode.
Modern Family "Suddenly, Last Summer; First Days"
The first half hour is Modern Family at its best. The second, was good although a step below. Cam and Mitchell's proposal was sweet. I loved the gag with the baby spitting up whenever gay marriage was brought up. Phil manipulating the two daughters by using each's fear of becoming the other was masterfully staged. I wasn't as crazy with Phil and Gloria as extras in the commercial though and Cam dressed as a colonial is not inherently as funny as they'd hoped. But, when those are my biggest gripes about an hour of this show, I'm considering that a good thing.
The Bridge "All About Eva"
I already miss Gus. There were some killer character moments with Marco and Sonya. It's amazing how interesting this show can be when there's no masterplan at work. You know, if they don't schedule this to go into premiere season next year, I just may stick with it to see what a second season will look like.
The Big Bang Theory "The Hofstadter Insufficiency"
Two thing struck me immediately with this first episode back: 1) I don't remember why Leonard is gone at all. 2) They are keeping Raj's ability to speak to women and I could not be more pleased with this development. It's rare that a show can save this big of a character change for this late in its run.
Parks & Recreation "London"
As always with P&R, there's too much in a single [normal-sized] episode to mention everything I loved about it, so an hour that was this good will surely be short-changed. Ron's wedding has to be one of the finest encapsulations of numerous characters on a show that I've ever seen. Hilarious, sweet, and completely true to the characters. Then there's all the maneuvering to explain Andy's absence. The rich British version of Andy was hilarious as was the meta-joke explaining how he lost so much weight (they tried to hide it, but that dude is ripped). I continue to be baffled that this show isn't even a medium-sized hit. It has everything you could possibly want from a comedy and does it at the highest level for almost its entire run.
The Big Bang Theory "The Deception Verification"
I hate having to turn my mind off to laugh. I won't pretend that Raj and Wolowitz comparing breast sizes isn't a funny image. It absolutely is. Plenty of shows, at times this very show, are able to make me laugh even harder than that without having to use a plot device as hackneyed and broad as "Male character A acts more feminine". Sorry, I'm just angry that this show has 5x the ratings Park & Rec had.
The Michael J Fox Show "Pilot"
This is definitely a safer comedy choice for NBC. Like most pilot, it doesn't know what it is or what it does well yet. That can be forgiven. I'd like a little more sense of how it can be different than any other family comedy I've seen before. This is likable enough that I will be patient to wait for that.
The Crazy Ones "Pilot"
On one hand, Kelly Clarkson. On the other hand, who cares? Kelly Clarkson. As far as pilots go, they made the right choice by starting with Kelly Clarkson. I'm very worried about a lot of things about this show, including Robin Williams steamrolling over the rest of the cast with his energy, Sarah Michelle Gellar never getting more to do than spoil the fun, James Wolk killing someone's mother and getting a promotion, and the show getting too concerned about guest stars over developing the leads. Then again, Williams could use his energy as a catalyst for the rest of the cast, someone could call up Joss Whedon and learn the tricks to unleashing SMG as a dynamic performer, Wolk could not be responsible for the death of anyone's mother, and the guest stars keep the show from getting stale. A strong start. I'm curious to see what happens next.
The Michael J Fox Show "Neighbor"
Not the greatest 2nd episode. To already be having this much farce worries me. They are handling the Parkinson's well. I like the daughter more than most teenage daughters in shows. Wendell Pierce has great, classic best friend material and potential. I'm not sure how excited I am to watch Michael J Fox do a 80's family comedy without a laugh track though. Enough raw material to get a lot better.
Parenthood "It Has to Be Now"
I've very curious to see what they do with a full season. Oddly enough, the story I'm most interested to follow up on is Max and Hank. Ray Romano gels with Max Burkholder really well and I'm always root for Max to find some normalcy. I worry that there's going to be a lot Crosby and Jasmine bickering which I could do without, but the returns are generally enough to forgive the annoyance. God, this cast is fantastic.
SNL "Tina Fey/Arcade Fire"
I don't watch regularly enough to be sure but didn't this seem like a lot of focus was being given to the new featured players? I'm not sure that any of them immediately jump out the way that Kate McKinnon did last season. It didn't hit me until now just how much they lost with the departures of Hader, Sudeikis, and Armisen. Taran Killam is setup perfectly to be the next breakout player as he is a nice cross between Hader and Sudeikis. Kenan Thompson and Bobby Moynihan as both solid and firmly established but you get the feeling that if they haven't taken over yet, they aren't going to. It's all up to the female cast members to step up. At least one of them needs to step it up. My guess is that it is between McKinnon and Strong. Strong, by the way, did fine at the news desk but she definitely has some settling in to do. Oh, and Tina Fey was a wonderful host to start the season. There really is a den-mother quality to her when she shows up that mixed nicely with all the new faces and increased roles.
Oh yeah, the sketches. I should probably mention those:
-The Obama sketch at the beginning was funny enough. For all Jay Pharoah's excellent impressions, Obama isn't his strongest. I loved the first of many Aaron Paul appearances leading me to ask when he's getting his hosting gig because that would be awesome, bitches!
-I've watched the Girls parody numerous times and it still makes me laugh.
-The Porn stars is such a weird and funny sketch. I find it most interesting that it is always at the end still. I get that the material probably dictates that, but generally something that popular moves earlier.
-Lorne Michaels' bit in the "New Cast Member or Arcade Fire" bit was awesome. Poor Kenan.
Breaking Bad "Felina"
All season long, I've been saying that I don't expect the Breaking Bad finale to be great. It just had to be good and, most importantly, complete. No half-measures. That was exactly what this finale was: good and complete. So, I couldn't be more happy with Breaking Bad the series than I am now. It has reserved its place on the TV Mt. Rushmore, rightly so. I'm now in the camp of people who kind of wish they hadn't done the flash forwards though. Having them certainly kept me interested. The problem is, in a structure like that, you automatically assume that this is leading to a climax, of sorts: a grand moment. Don't get me wrong, the car trunk automatic ("Yeah, science!") is clever and marks the final act of Heisenberg, but it was all cleanup. Overall, the finale was a little too easy for the man who has luck first, timing second, and planning third on his side the whole series. There was little scrambling here. Everything was planned and executed perfectly and in a single episode, no less. I don't want to harp on the little things though. Let's run down everything that was done right:
-Jesse is free (yay!) and they rightly determined that it wasn't in his character to kill Walt.
-Walt is dead (yay?). He is still a monster to the world and his name is ruined. Then again, he got to clear his name is small ways by being honest about his motivations finally, telling Skyler that he didn't kill Hank (and Gomez), and freeing/saving Jesse.
-Todd is dead. Even that death was too good for him.
-Skyler appears to literally have her ticket out of the investigation into her and Walt. I'd like an alt-narrative where she wins the lottery with those numbers. By the way, are we just going to ignore figuring out how he got in the apartment so easily while it was being watched?
-Flynn got nothing for breakfast.
-Lydia will die, which is good, although I feel bad for her daughter. A lot of orphaned kids on this show. Also, can anyone explain how exactly he poisoned her? I didn't catch any Huell-level slight of hand going on.
-Speaking of Huell, did that poor guy ever get to leave the motel.
-For rich people, Gretchen and Elliot's security sucks.
-Marie is at least on good terms with Skyler again. I wish we knew a little more about her situation. They told us what we needed though.
-It's nice to see Badger and Skinny Pete one last time, even if I do want to know how Walt found them and convinced them to help out the most wanted man in the country.
-We even got Hank, via flashback. Kind of reminded me that he helped spark the idea in Walt's head in the first place. In short, I am saying Hank is the real villain of this series.
-All I asked for was one shot of Saul, working at a Cinnabon, wearing one of his three pairs of Wranglers.
Finally, I'm just gonna say it: I would've liked an explosion or two.
How I Met Your Mother "Last Time in New York"
This was an ok episode and all I'm looking for is ok. I enjoyed Marshall's obnoxious disgust of Packers fans because I think we all know a sports fan who is like that (or perhaps are them from time to time). I'm pretty sure I won't get tired of Lily having the Kennedy package even if they do it all season. I'm just going to throw it out there that I expect the mother in some way at least every other episode. Sort of a one for them, one for me situation. We'll see how next week goes.
SHIELD "0-8-4"
Baseball created DVR issues. I may talk about it in the next edition.
Brooklyn Nine Nine "The Slump"
Ok, they've established the rapport between the Captain and Jake Peralta. They can start using some other combinations now. The rest of the cast is coming together and so far there are no characters that I dislike. We are only three episodes in, so as long as I can get a chuckle or two and like the cast in broad strokes, I'm pleased with it.
New Girl "Double Date"
Poor Winston. I hope they have some plans for him this season, preferably not cat-based. I'm not looking forward to potential adversary-Schmidt against Jess and Nick, who I don't have any trouble believing will continue being funny as a couple. I've not been a big fan of this short-lived dating scheme of Schmidt's so the less I speak of it, the better. Farewell.
The Mindy Project "Music Festival"
I hear Adam Pally joins the cast in this. More baseball and DVR issues. Hopefully Fox isn't being a dick about posting the episode.
Trophy Wife "Cold File"
I got a much better sense of what this show will look like and I'm completely on board if that is the case. It looks like it is going to be a messy show in a good way with all the kids and wives. Did I miss Natalie Morales in this one or was she not in it? If she's not going to be used, she needs to come back to Parks and Rec.
Past Purges
The Middle "The Drop Off"
I think this show will have one of the easier times dealing with the child going to college. I doubt we will see any of the Haley nonesense from Modern Family. Mostly, I'm so happy to have this show and its callbacks (Yay! They remembered the snack bag this time!).
Back in the Game "Pilot"
I'm surprised how easily and effectively Maggie Lawson carried this episode. I never thought of her as lead material, but this has me thinking otherwise. I worry about anything that is this kid-heavy and James Caan is nowhere near as effective [yet] as he should be. There was enough chuckleworthy moments in this (Lawson throwing the ball at the douche's head; the son kissing the other boy, "He's afraid of me now, and he doesn't know why") that I'm absolutely excited for the next episode.
Modern Family "Suddenly, Last Summer; First Days"
The first half hour is Modern Family at its best. The second, was good although a step below. Cam and Mitchell's proposal was sweet. I loved the gag with the baby spitting up whenever gay marriage was brought up. Phil manipulating the two daughters by using each's fear of becoming the other was masterfully staged. I wasn't as crazy with Phil and Gloria as extras in the commercial though and Cam dressed as a colonial is not inherently as funny as they'd hoped. But, when those are my biggest gripes about an hour of this show, I'm considering that a good thing.
The Bridge "All About Eva"
I already miss Gus. There were some killer character moments with Marco and Sonya. It's amazing how interesting this show can be when there's no masterplan at work. You know, if they don't schedule this to go into premiere season next year, I just may stick with it to see what a second season will look like.
The Big Bang Theory "The Hofstadter Insufficiency"
Two thing struck me immediately with this first episode back: 1) I don't remember why Leonard is gone at all. 2) They are keeping Raj's ability to speak to women and I could not be more pleased with this development. It's rare that a show can save this big of a character change for this late in its run.
Parks & Recreation "London"
As always with P&R, there's too much in a single [normal-sized] episode to mention everything I loved about it, so an hour that was this good will surely be short-changed. Ron's wedding has to be one of the finest encapsulations of numerous characters on a show that I've ever seen. Hilarious, sweet, and completely true to the characters. Then there's all the maneuvering to explain Andy's absence. The rich British version of Andy was hilarious as was the meta-joke explaining how he lost so much weight (they tried to hide it, but that dude is ripped). I continue to be baffled that this show isn't even a medium-sized hit. It has everything you could possibly want from a comedy and does it at the highest level for almost its entire run.
The Big Bang Theory "The Deception Verification"
I hate having to turn my mind off to laugh. I won't pretend that Raj and Wolowitz comparing breast sizes isn't a funny image. It absolutely is. Plenty of shows, at times this very show, are able to make me laugh even harder than that without having to use a plot device as hackneyed and broad as "Male character A acts more feminine". Sorry, I'm just angry that this show has 5x the ratings Park & Rec had.
The Michael J Fox Show "Pilot"
This is definitely a safer comedy choice for NBC. Like most pilot, it doesn't know what it is or what it does well yet. That can be forgiven. I'd like a little more sense of how it can be different than any other family comedy I've seen before. This is likable enough that I will be patient to wait for that.
The Crazy Ones "Pilot"
On one hand, Kelly Clarkson. On the other hand, who cares? Kelly Clarkson. As far as pilots go, they made the right choice by starting with Kelly Clarkson. I'm very worried about a lot of things about this show, including Robin Williams steamrolling over the rest of the cast with his energy, Sarah Michelle Gellar never getting more to do than spoil the fun, James Wolk killing someone's mother and getting a promotion, and the show getting too concerned about guest stars over developing the leads. Then again, Williams could use his energy as a catalyst for the rest of the cast, someone could call up Joss Whedon and learn the tricks to unleashing SMG as a dynamic performer, Wolk could not be responsible for the death of anyone's mother, and the guest stars keep the show from getting stale. A strong start. I'm curious to see what happens next.
The Michael J Fox Show "Neighbor"
Not the greatest 2nd episode. To already be having this much farce worries me. They are handling the Parkinson's well. I like the daughter more than most teenage daughters in shows. Wendell Pierce has great, classic best friend material and potential. I'm not sure how excited I am to watch Michael J Fox do a 80's family comedy without a laugh track though. Enough raw material to get a lot better.
Parenthood "It Has to Be Now"
I've very curious to see what they do with a full season. Oddly enough, the story I'm most interested to follow up on is Max and Hank. Ray Romano gels with Max Burkholder really well and I'm always root for Max to find some normalcy. I worry that there's going to be a lot Crosby and Jasmine bickering which I could do without, but the returns are generally enough to forgive the annoyance. God, this cast is fantastic.
SNL "Tina Fey/Arcade Fire"
I don't watch regularly enough to be sure but didn't this seem like a lot of focus was being given to the new featured players? I'm not sure that any of them immediately jump out the way that Kate McKinnon did last season. It didn't hit me until now just how much they lost with the departures of Hader, Sudeikis, and Armisen. Taran Killam is setup perfectly to be the next breakout player as he is a nice cross between Hader and Sudeikis. Kenan Thompson and Bobby Moynihan as both solid and firmly established but you get the feeling that if they haven't taken over yet, they aren't going to. It's all up to the female cast members to step up. At least one of them needs to step it up. My guess is that it is between McKinnon and Strong. Strong, by the way, did fine at the news desk but she definitely has some settling in to do. Oh, and Tina Fey was a wonderful host to start the season. There really is a den-mother quality to her when she shows up that mixed nicely with all the new faces and increased roles.
Oh yeah, the sketches. I should probably mention those:
-The Obama sketch at the beginning was funny enough. For all Jay Pharoah's excellent impressions, Obama isn't his strongest. I loved the first of many Aaron Paul appearances leading me to ask when he's getting his hosting gig because that would be awesome, bitches!
-I've watched the Girls parody numerous times and it still makes me laugh.
-The Porn stars is such a weird and funny sketch. I find it most interesting that it is always at the end still. I get that the material probably dictates that, but generally something that popular moves earlier.
-Lorne Michaels' bit in the "New Cast Member or Arcade Fire" bit was awesome. Poor Kenan.
Breaking Bad "Felina"
All season long, I've been saying that I don't expect the Breaking Bad finale to be great. It just had to be good and, most importantly, complete. No half-measures. That was exactly what this finale was: good and complete. So, I couldn't be more happy with Breaking Bad the series than I am now. It has reserved its place on the TV Mt. Rushmore, rightly so. I'm now in the camp of people who kind of wish they hadn't done the flash forwards though. Having them certainly kept me interested. The problem is, in a structure like that, you automatically assume that this is leading to a climax, of sorts: a grand moment. Don't get me wrong, the car trunk automatic ("Yeah, science!") is clever and marks the final act of Heisenberg, but it was all cleanup. Overall, the finale was a little too easy for the man who has luck first, timing second, and planning third on his side the whole series. There was little scrambling here. Everything was planned and executed perfectly and in a single episode, no less. I don't want to harp on the little things though. Let's run down everything that was done right:
-Jesse is free (yay!) and they rightly determined that it wasn't in his character to kill Walt.
-Walt is dead (yay?). He is still a monster to the world and his name is ruined. Then again, he got to clear his name is small ways by being honest about his motivations finally, telling Skyler that he didn't kill Hank (and Gomez), and freeing/saving Jesse.
-Todd is dead. Even that death was too good for him.
-Skyler appears to literally have her ticket out of the investigation into her and Walt. I'd like an alt-narrative where she wins the lottery with those numbers. By the way, are we just going to ignore figuring out how he got in the apartment so easily while it was being watched?
-Flynn got nothing for breakfast.
-Lydia will die, which is good, although I feel bad for her daughter. A lot of orphaned kids on this show. Also, can anyone explain how exactly he poisoned her? I didn't catch any Huell-level slight of hand going on.
-Speaking of Huell, did that poor guy ever get to leave the motel.
-For rich people, Gretchen and Elliot's security sucks.
-Marie is at least on good terms with Skyler again. I wish we knew a little more about her situation. They told us what we needed though.
-It's nice to see Badger and Skinny Pete one last time, even if I do want to know how Walt found them and convinced them to help out the most wanted man in the country.
-We even got Hank, via flashback. Kind of reminded me that he helped spark the idea in Walt's head in the first place. In short, I am saying Hank is the real villain of this series.
-All I asked for was one shot of Saul, working at a Cinnabon, wearing one of his three pairs of Wranglers.
Finally, I'm just gonna say it: I would've liked an explosion or two.
How I Met Your Mother "Last Time in New York"
This was an ok episode and all I'm looking for is ok. I enjoyed Marshall's obnoxious disgust of Packers fans because I think we all know a sports fan who is like that (or perhaps are them from time to time). I'm pretty sure I won't get tired of Lily having the Kennedy package even if they do it all season. I'm just going to throw it out there that I expect the mother in some way at least every other episode. Sort of a one for them, one for me situation. We'll see how next week goes.
SHIELD "0-8-4"
Baseball created DVR issues. I may talk about it in the next edition.
Brooklyn Nine Nine "The Slump"
Ok, they've established the rapport between the Captain and Jake Peralta. They can start using some other combinations now. The rest of the cast is coming together and so far there are no characters that I dislike. We are only three episodes in, so as long as I can get a chuckle or two and like the cast in broad strokes, I'm pleased with it.
New Girl "Double Date"
Poor Winston. I hope they have some plans for him this season, preferably not cat-based. I'm not looking forward to potential adversary-Schmidt against Jess and Nick, who I don't have any trouble believing will continue being funny as a couple. I've not been a big fan of this short-lived dating scheme of Schmidt's so the less I speak of it, the better. Farewell.
The Mindy Project "Music Festival"
I hear Adam Pally joins the cast in this. More baseball and DVR issues. Hopefully Fox isn't being a dick about posting the episode.
Trophy Wife "Cold File"
I got a much better sense of what this show will look like and I'm completely on board if that is the case. It looks like it is going to be a messy show in a good way with all the kids and wives. Did I miss Natalie Morales in this one or was she not in it? If she's not going to be used, she needs to come back to Parks and Rec.
Tuesday, October 1, 2013
Delayed Reaction: Sex and the City the Movie
The Pitch: Well, we can't do another season, so, let's just call it a movie and edit it like one big episode.
What Took Me So Long: I never cared for the show much and movie follow ups to shows are normally disappointments.
Why I Saw It: (Club 50) Know your enemy, I suppose. But really, Sex & the City was a very successful show. The actresses are all very accomplished playing these roles. The writing has a charm and wit to it. They stay true to the series.
Why I Wish I Hadn't: ...to a fault. This is a final season wrapped into a movie. It's a completely episodic two hours that lead me to ask why they didn't do another abbreviated season instead. This is all so disjointed. I imagine a fan of the show is happy to see these characters again, but as someone trying to watch it as a movie, this was sloppy and meandering.
Verdict (?): Strongly Don't Recommend
What Took Me So Long: I never cared for the show much and movie follow ups to shows are normally disappointments.
Why I Saw It: (Club 50) Know your enemy, I suppose. But really, Sex & the City was a very successful show. The actresses are all very accomplished playing these roles. The writing has a charm and wit to it. They stay true to the series.
Why I Wish I Hadn't: ...to a fault. This is a final season wrapped into a movie. It's a completely episodic two hours that lead me to ask why they didn't do another abbreviated season instead. This is all so disjointed. I imagine a fan of the show is happy to see these characters again, but as someone trying to watch it as a movie, this was sloppy and meandering.
Verdict (?): Strongly Don't Recommend
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