I think every generation has a hard time accepting
when something in pop culture no longer belongs to them. It's a passing of the
torch that none of us are ready for. Boomers are taking a lot of heat these
days for it, because their population dominance kept them in pop culture
prominence for an uncommonly long amount of time. Millennials are probably even
worse about it though, given their place in the rise of the internet. We don't
know how to let go. We still wear clothes with the same characters we loved
when we were 10. Toy collecting is increasingly common. As a result, we don't
handle it well when something from our childhood remains for children. Remember
Fuller House. That was a terrible show, mainly watched by adult fans of Full
House, but written to be appreciated by families (i.e. children and parents
who want something harmless that gets their children to shut up). I'm not
excluding myself from this. I watched every episode of Girl Meets World
and convinced myself that it was better than it was out of nostalgia.
This brings me to Sonic the Hedgehog. You
might remember it from the shitstorm after the first trailer came out. The
internet roasted the character design so much that Paramount delayed it three
months at significant cost to appease them. Well, the wait is finally over. Sonic
the Hedgehog scored a huge opening weekend. I've seen it, and my main
thought is, "Oh yeah. This movie isn't meant for me".
Sonic the Hedgehog is a kids movie. It's full of hammy performances,
unclever jokes, and frustrating plotting to anyone who is paying attention to
it. I don't want to call it a bad movie, because that implies that it's trying
to be a different kind of movie than it is.
Take the plot for instance. Sonic is a magical
hedgehog living on a distant planet. A sentient owl watches over him until he's
discovered by bad guys. He uses a magical ring to get away from them that
transports him to a small town in Montana, where he lives mostly undiscovered
for a decade. His isolation gets to him and eventually, he runs so fast in
frustration that he causes a major blackout in the Pacific Northwest. That puts
him on the radar of a misanthropic genius named Dr. Robitnik (Jim Carrey), who
happens to have military backing. Before Sonic can use another magic ring to get
away to a new safe planet, he loses the rings in San Francisco and goes on a
road trip with the local sheriff (James Marsden). Pretty much, the rest of the
run time is padded with fart jokes, unclever wordplay, and some physical humor.
Even just from that, you probably have a lot of
questions. Why an owl? How does he go unnoticed for so long? Why does he need
to go on a road trip if he can get to San Francisco in about 4 seconds? Then,
as you watch the movie, you start breaking down even more basic logistical
questions. Why isn't the speed that Sonic runs at consistent from scene to
scene? Why is a single quill from Sonic so powerful? Am I really supposed to
believe that Robotnik's power gauge machine is just going to return a reading
of "unlimited power"? This movie just isn't concerned with that. It's
kid logic.
Honestly, I just found this movie really boring. I
can't figure out a more nuanced way to say it than that. No one is trying to do
anything that will go above a 10 year old's head. I appreciated the small bits
of mid-90s Jim Carrey that showed up, but no one seemed interested in meeting
him at that level. Ben Schwartz provides the voice for Sonic, and he fully gets
the tone he needs to hit with it. He's great at unearned swagger that turns into
childish charm. There just wasn't any seen I found interesting. The action
wasn't that exciting. The jokes weren't that funny. The characters were that
engaging. At the same time, nothing in the movie pissed me off either.
It's probably for the best that the movie appeals
people who are 8 right now rather than people who were 8 in 1995.
Verdict: Weakly Don't Recommend
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