Formula: The Secret of My Success / The Uninvited
I'm very pleased by the success that Parasite
is having. Despite being a foreign film that's not even an action movie, it
opened huge in limited release and keeps expanding to a wide release. It's a
favorite to land many Oscar nominations and will surely top many year-end
lists. I'm a defender of the American studio system, even still, as the
mid-budget "movie for grown-ups" is disappearing and major studios
are increasingly risk-averse. I think the current system still allows for more
voices than even to be heard. But, American studios, even the small ones, still
produce movies the follow the rules of American story-telling. It's refreshing
to see a movie like Parasite that doesn't follow the same rules.
A lot about the story of Parasite has been
kept a mystery, which is a little strange. It's not really a twisty movie. It
takes a couple odd turns, but that has more to do with the style of it than
anything surprising in the screenplay. Essentially, Parasite is a movie
about a poor Korean family tricking a rich Korean family into hiring them all
for jobs, and over time, the poor family becomes more aware of the rich
family's ignorant resentment of the poor. This manifests in some really odd and
extreme ways. What makes the movie wild has less to do with what those odd and
extreme ways are than how they are packaged.
Most movies aren't very good at talking about wealth
discrepancy. There's an understandable tendency to absolve the poor and
villainize the rich. I'm bored of the evil businessman character because of how
easy it is to write. Parasite is smarter about having this discussion.
The members of the poor family aren't saints. They are scammers and their
successes often require them to screw over someone innocent. The rich family's
great sin is ignorance. They're actually nice people. They just have no
consideration for those who are less fortunate. It's the idea, for example,
that they don't have to be grateful to an employee for working on their day off
because they are paying them overtime. As Don Draper would say, "That's
what the money is for". I didn't feel bad that the rich family was getting
conned. I also wasn't wishing harm upon them.
Parasite
fell a little short of my expectations. Part of that is because my
expectations had been built up unreasonably high. I had trouble getting used to
the rhythms of the movie. It shifted from farce to drama to surreal awkwardly
at times. Mostly, it stopped to underline its point a little too often.
Director Bong Joon Ho isn't known for his soft touch though. That's what
bothered me about both Snowpiercer and Okja. Parasite is
far more restrained than either of those movies. Having actors working in his
native tongue no doubt helped with that. I always got the feeling in Snowpiercer
and Okja that the English-speaking actors tried to bridge the
language-gap by overplaying everything. Except for those few points of tone
management, I thought Parasite escalated spectacularly. The climax felt
earned, and the ending is open to interpretation enough that I'll be thinking
about it for a while.
Verdict: Strongly Recommend
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