Premise: A girl
hires a drunken, nasty US Marshal to capture her father's murderer.
Comparisons are not
favorable for this movie. Odds are, if you know if this movie it is because the
Coen brothers remade it in 2010 with Jeff Bridges, Hailee Steinfeld, and Matt
Damon. Otherwise, you know it as the movie that finally earned John Wayne his
Oscar. If not for those two things, this would be forgotten to time as this odd
cowboy artifact that crashed the New Hollywood party in 1969.
Cards on the table,
I like just about everything about the 2010 movie better than the original.
It's the first one I saw, which is a bigger factor than I like to admit to
preferring something. Hailee Steinfeld is phenomenal. Jeff Bridges adds a
little more dirt to his Rooster Cogburn. And, in general, the Coens' dark humor
lends itself more to the story and setting. So, when I watched the original
movie, I spent most of the time thinking about how I liked that scene better in
the remake.
That's not to say
the original is bad. I'd probably be quite impressed with the poise of Kim
Darby's Mattie Ross if I didn't have Steinfeld's Oscar nominated comparison in
my head. The original still has names like Robert Duvall and Dennis Hopper in
supporting roles, which is pretty fun. Glen Campbell's La Boeuf has a good mix
of sleaze and charm. The beats of the story itself are good no matter when the
movie was made.
Like in 1969
though, the story of this movie is John Wayne. I think you had to live through
the era to appreciate John Wayne. I know he was THE movie star of the
time. I've seen a decent number of his movies. I don't really get what's so
great about him though. That's not to say I doubt it. I just imagine it'll be
like explaining Tom Cruise to someone in 30 years. Wayne is more movie star
than actor, so you need to experience the excitement of a new John Wayne movie
getting released to get what the fuss is. Rooster Cogburn isn't his best role.
I don't think I've heard anyone describe it as anything but a lifetime
achievement Oscar, and good for him. How many people really win their Oscars
for their best roles? There is something ill-fitting about John Wayne in this.
Cogburn isn't immediately heroic. He's a drunk and is infamous for how quick he
is to kill the men he's after, yet by the end of the movie, he's showing that
his true colors are unambiguously heroic. It feels like this was made in a post
Bonnie and Clyde attempt to fit in with the new film era that was about
to give Best Picture to an X-rated film (Midnight Cowboy), but it
eventually gave into its Old Hollywood studio system DNA for the final product.
I haven't read the novel, but something tells me that last scene of the movie
doesn't happen like that in the book.
Verdict: Weakly
Recommend
No comments:
Post a Comment