Premise: A
director puts together a trio of movie prologues to sell to a distributor.
One of my ongoing missions is to see every movie
featured in The Great Movie Ride, formerly at Walt Disney World: my favorite
attraction there until they replaced it recently. Footlight Parade is a
special one because I never got to see that portion of the ride fully
functional. All I ever saw was a stationary human waterfall they moved to
B-mode after years of malfunctioning. Anyway, it's as good a reason as any to
introduce myself to the Busby Berkley musicals.
No need to be delicate here. You can throw away the
entire first half of the movie. James Cagney, Joan Blondell, Ruby Keeler, and
company are fine and all. It has some OK place setting. It established the
different characters and relationships well enough. There are a few decent
jokes. But no one is watching Footlight Parade for the talky first half.
It's just filler. The movie comes alive when it gets to the three prologues.
"Honeymoon Hotel" is an earworm that's so incredibly pleasant that I
want to leave it on in the background as I work on anything. The synchronized
swimming routines in "By the Waterfall" are mesmerizing. It's strange
that that become a whole subgenre of movies for a while. It's such a specific
idea that you'd think they'd quickly run out of ideas to include women swimming
in formation, but it sure is impressive to watch. The "human waterfall”
really is a showstopper too. "Shanghai Lil" was my least favorite of
the three, yet even that is catchy and has a fine tap routine. Obviously, a lot
in this movie hasn't aged well. "Shanghai Lil" is practically
yellow-face, and I'm sure if I paid closer attention to the lyrics of
"Honeymoon Hotel" I'd find some terribly antiquated lines in there.
Assuming you can excuse that as a relic of that time period, those numbers are
really grand. I'm a lot more curious to check out other Busby Berkeley musicals
now.
Verdict: Weakly Recommend
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