Premise: An Icelandic singing
duo become unlikely finalists in the Eurovision Song Contest.
The Eurovision Song Contest is nuts. It's been around for
decades but only in the last couple years has it made its way to wider (but
still not wide) attention in the US. That makes it a decidedly European
phenomenon with no American equivalent. The Masked Singer is the only
thing in America that even comes remote close to the spirit of Eurovision. In
my mind, I tend to think of it like The Gong Show in the 70s, but in
reality, Eurovision is much more respectable than that. It's over-the-top and
gloriously kitschy at times, but there's a lot of talent on display there too.
In other words, it's pretty perfect for a comedy movie.
Will Ferrell when he gets bored is a problem. I'm forever
in the pro-Will Ferrell camp. Stranger Than Fiction is my favorite movie
and is why I've never doubted him as a leading man. He's a legendary SNL
performer and probably tops the list of people who could make any random group
of people laugh. His early '00s were pretty unimpeachable. Old School, Elf,
and Anchorman all showed off different sides of his comic persona. Since
then, his movies have had mixed results, and they generally fall along the
lines of his engagement with the material. Other than Step Brothers and
maybe Talladega Nights (both of which people seem to like more than I
do), his major studio "paycheck movies" have been pretty
disappointing. Weirdly, his best work has been in smaller projects that either
let him stretch himself or really let him commit to a bit; stuff where it feels
like he's getting away with something. Because, when he commits to a bit, he
can't phone it in. He has to care about the project. Casa de mi Padre is
a great example of this. He basically learned Spanish for this tiny movie that
no one saw where the only joke was that it was ridiculous to have Will Ferrell
was playing the lead in this spaghetti western. People love his bonkers
appearances on Eastbound & Down. Remember A Deadly Adoption:
the Lifetime Movie he did for fun? You get the feeling that his favorite ideas
are the ones that he immediately thought "No one will ever let me do
that".
Eurovision Song Contest: The Story of Fire Saga is probably the best middle ground we've seen in
years between a major studio comedy and Will Ferrell passion project. His wife
is Swedish, and apparently, he's been a fan of Eurovision since she introduced
him to it in the late 90s. In my mind, he heard Netflix was throwing out money
for projects then grabbed a script he had that no studio would touch and said
"Please" really intensely but in a way that also made them laugh.
Overall, this is my favorite Will Ferrell movie in a
while. He brings his usual verve to his role but there isn't as much
desperation to make every punchline hit. He finally found a topic that he can't
be more absurd than. With something like Sherlock Holmes or going to jail, it's
possible to go too big or touch a third rail topic. That's not happening with
Eurovision. So, I can't say there's anything special about his character this
time. He's just not out of place in this world. I don't know why it took
everyone until Game Night to remember that Rachel McAdams is really,
really funny. She is an excellent scene partner for Ferrell. She's able to play
off him well and be the straight man when needed, but she's equally able to get
laughs of her own; often laughs that I didn't see coming. She's really great at
getting laughs out of saying crazy lines like they are normal. The movie is
pretty gloriously international. After the two leads, Dan Stevens, and Pierce
Brosnan, I hardly recognized anyone else in the central cast. And it's full of
cameos that I'm sure would mean more to me if I actually followed Eurovision.
This movie really is a celebration of the things that make that competition
special while still neatly fitting the "Will Ferrell movie"
description.
I could get into the plot, but why? The movie repeatedly
makes a joke out of how flimsy the story is. It turns what you'd expect to be a
climactic scenes in the third act into a couple weird jokes about elves and
supernatural pop singers. Let's be honest, if you get more than three lines
into the silly accents in this movie without realizing that you don't need to
work very hard to watch this, then you're doing it wrong.
I feel like I've had a lot of weak responses to movies
lately, so, you know what? I liked this movie...
Verdict: Strongly Recommend
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