I want to know who was sitting around thinking,
"If only prisoner of war camps could be funnier". I guess it isn't
that unique of an idea. The Great Escape had a similar amount of fun
with it. Hogan's Heroes got six seasons of material out of it. It just
seems weird to me.
I had a hard time getting a read on Stalag 17.
90% of it is a buddy comedy, complete with cartoonish villains and clownish
supporting characters. The other 10% is two POWs being killed as they try to
escape and class issues. There's some tonal whiplash. It makes a bit more sense
that it's based on a Broadway play. That certainly explains the limited
locations. Then again, it's a POW camp. People aren't going anywhere by design.
I guess it's cool that William Holden has an Oscar
for this. I agree with the sentiment that it was a makeup call for not giving
it to him for Sunset Boulevard. Speaking of that movie, I notice that Stalag
17 opened with some narration. Unlike Sunset Boulevard though, this
was one big exposition dump. I wish they would've found a more elegant way to
sneak that in.
Verdict: Weakly Don't Recommend
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