A listless man
accidentally untangles a massive conspiracy in the L.A. underworld while trying
to find a girl he met who mysteriously disappeared in the middle of the night.
Filmmakers love a
weird Los Angeles story. It makes sense. Most of them live there. It's a very
large city geographically, with a population spread out into many different
neighborhoods. The fact that its central industry is film and television
production attracts a lot of big and strange personalities, and it grew
dramatically in size over a relatively short period of time. Filmakers have had
a surprising amount of luck creatively with showing the stranger side of L.A.
When David Lynch brought his particular sensibilities to L.A., people called
the movie - Mulholland Drive - a masterpiece (Other people, not me). The
Coen Brothers' most casually popular movie takes place in the bizarre world of The
Big Lebowski. PTA took a stab at it with Inherent Vice: a polarizing
but effective comedy. The Nice Guys (weird 1970s L.A.) is one of my
favorite movies of the decade.
Here's an
important fact though. Those movies don't work because they're weird.
That appears to be the big misunderstanding that Under the Silver Lake
has. It's David Robert Mitchell's follow up to the surprise horror hit, It
Follows, and he takes a massive swing with this one. It's long (they cut it
down to 2h20m). It's packed with familiar actors, sometimes in very small
parts. It's sprawling: Andrew Garfield goes to many neighborhoods and uncovers
a large portion of the underworld. The problem is that the movie tries to make
the weirdness the appeal of the movie. The story (not to be confused with the
mystery) isn't that interesting. There isn't much about Andrew Garfield's Sam
to root for. He sort of just exists. The humor doesn't really work. It has the
problem that a lot of projects with surrealist elements do. It thinks that just
because something is surreal (exceedingly odd or inexplicable), it's also
funny.
If this movie was
about 20% worse, it would be in "so bad that it's good" territory. I
watched it until the very end thinking these was some magic last twist that
would make the movie brilliant. It's so confidently strange that I want to
believe the director knew what he was doing. Ultimately, it was too damn
ambitious for its own good.
Verdict: Weakly
Don't Recommend
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