In 1987, Walter McMillian (Jamie Foxx) was
imprisoned and put on death row for murder on a flimsy case, despite a mountain
of evidence proving his innocence. Just Mercy is a movie about the
lawyer (Michael B. Jordan) who take's McMillian's case and tries to make him
the first man on death row cleared in Alabama history. He has to fight a system
that's both discretely and overtly racist and combat a D.A. and police
department whose reputations are tied to proving they didn't mess up. This is a
perfect story for a movie. It's full of colorful characters. There's a fish out
of water element, with the lawyer, Bryan Stevenson, coming to Alabama from
Delaware by way of Harvard. The actual story happened recently enough to see
easy parallels with the current day but long enough ago that it doesn't feel
like a direct attack on the region. As the true-crime boom of the last few
years will confirm, people love stories about police conspiracy. The racism
angle makes it easily a black-and-white issue.
Just Mercy is
a well-made movie in nearly every way. Michael B. Jordan continues to build his
impressive list of award snubs*. Jamie Foxx gives a supporting performance
that's stripped down and reminds me why he's found Oscar love in the past. The
story is compelling. Director Destin Daniel Cretton has made a process movie
that still has a lot of emotion. It's the kind of movie where, if someone in
the audience wants to clap for it at the end, I don't roll my eyes. It's a
crowdpleaser with real issues on its mind.
*Seriously, how is his only high-profile nomination
at this point a single Emmy nomination for, I guess, producing Fahrenheit 451?
However, I got a little bored watching this. It's a
problem I run into a lot lately with movies that follow a common formula. This
movie is only surprising if you've never seen a movie before. I was never in
doubt about if McMillian was innocent or not. I never questioned that the
police were racist and out to get him. I never worried about if he would
eventually be freed. Everyone in this movie played their parts exactly as I've
seen dozens of times before. I think the pendulum has swung too far, and I'm
starting to get more curious about characters other than the wrongly-accused
and the defense attorney. There are a lot of people convinced that McMillian is
guilty. Why? And I don't mean this in a "both sides" sense. I mean,
the police, the D.A., and the victim's family have convinced themselves that
McMillian is guilty. How did they get to that point with shaky evidence? Did
they essentially frame him due to racism, laziness, incompetence? If so, which?
The movie takes the "because they're the bad guys" approach, which
I'm starting to find boring. It's not just Just Mercy either. I had the
same problem with Richard Jewell too. It's what bothers me about most
evil banker movies. The more movies I see, the more I recognize the same
patterns.
That's not really the movie's fault. Just Mercy
plays to the exact audience it wants to. It would rather be a superior example
of a familiar story than something new and unexpected. That's perfectly fine.
Some people have a higher tolerance for crime-dramas than I do, in the same way
that I never get tired of high school coming-of-age stories. Frankly, we need
as many movies like Just Mercy as we can get. I like the idea of stories
about people fighting for what's right and winning being more common. I should
see 5 Just Mercys for every one Dark Waters. I like the
discussion of race in the movie. I think the awards season is more interesting
when Michael B. Jordan and Jamie Foxx (Brie Larson too has a nice supporting
role) are in the mix. I liked this movie. I just wish I could be more
enthusiastic about it.
Verdict: Weakly Recommend
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