Formula: The Grudge + (0 to 16 Years)
Based on how old you are, different kinds of horror
really did a number on you. I'd never go into a church again if I was a teen
during the Rosemary's Baby/Exorcist/Omen run. I would've
hated to move around the time that Amityville Horror and Poltergeist
were all the rage. It actually would've been nice to be a teen in the mid-90s,
when Scream was deconstructing the slasher. My teen years were marked by
the arrival of the Japanese-style horror (with a hint of found footage). The
Ring, adapted from a Japanese horror movie, is the first time I remember
being haunted by a horror movie. It was soon followed by another Japanese
remake that referenced the influence directly: The Grudge. I don't
really remember that one as well, but the overcast, dreary aesthetic of those
films remain the template for horror in my mind.
It feels too soon to be rebooting The Grudge
only because I don't realize how much time has passed. It's been 16 years since
the first Grudge movie. There's actually been a couple sequels since
then; the last coming in 2009. The 2020 The Grudge is something between
a reboot and a sequel. It begins with a woman leaving a house in Japan in 2004.
I believe it's the same house as the first movie. Actually, the movie begins
with a quick refresher before that. It explains that when something terrible
happens in a location, that creates a curse (a grudge, one could call it) that
follows anyone who comes into contact with it. So, this woman leaves a grudge
house in Japan and heads back home to the U.S. This brings the curse to her
house, of course, and sets off the events of the movie. Like previous
installments, this film tells multiple stories concurrently that happen in
different timelines. I won't bog you down with the details, but some people die
in all the timelines. The A-story is a detective played by Andrea Riseborough
investigating what happened in the other stories while suspecting that the
curse has followed her. I'll assume we're all grownups who have seen horror
movies before and let you figure out how the rest of this goes.
I'm a fan of this style of horror. I like
supernatural horror about malevolent forces rather than concrete villains. I
love a good investigation. It's a great way to tell a lot of hopeless stories
plausibly. In a slasher, I have to always keep a little hope alive. But when I
already know the result, I can be afraid for the people in good faith. This
movie doesn't overuse the jump scares or overresolve the story. It's not quite
the masterwork of "smart protagonists" vs "clever, unstoppable
force" that Oculus is, but I wasn't constantly rolling my eyes at
what the characters do. That's a low bar that few horror movies manage to
clear.
It's a solid cast. I didn't recognize Andrea
Riseborough at all, and I'm not sure why. Demian Bichir plays another detective
out of a slightly different horror movie. The story with John Cho and Betty
Gilpin felt off too. No one was bad. They just didn't all fit together.
Of all the major studio horror offerings out there, The Grudge ranks toward the top of what I've seen lately. It's an actual horror movie, not one that dips its toes into other genres. The stakes and storytelling are simple. It doesn't explain too much. It's nice, lean horror.
Of all the major studio horror offerings out there, The Grudge ranks toward the top of what I've seen lately. It's an actual horror movie, not one that dips its toes into other genres. The stakes and storytelling are simple. It doesn't explain too much. It's nice, lean horror.
Verdict: Weakly Recommend
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