The Pitch: A
murder pact. That's a thing, right?
Two men meet on a train. One tries to set up an
arrangement where they each kill a person in the other's way so that the police
don't suspect either of them.
I was under the impression that this was a much
different story. I thought the two men were both on board with the plan to kill
a person for the other man, but one backs out at the last second. The actual
story of this movie is significantly less interesting. Farley Granger is a
tennis player who happens to sit next to a psychopath played by Robert Walker.
Granger puts up with Walker while they're stuck on the train together. When
Walker suggests the murder pact, Granger humors him with no intention of doing
that. Walker goes ahead and commits his murder then blackmails Granger for the
rest of the movie. Ignoring how much Walker's attempt to frame him wouldn't
hold up in court, I don't see how this clear hero/villain dichotomy is
interesting at all. Instead of having a story of two conflicted anti-heroes,
this is a generic psychopath movie.
Perhaps I'm being unfair. I shouldn't judge a movie
based on what I wanted or thought it would be, but the premise presents such an
obvious and better alternative that I can't help it.
Regardless, I don't think Hitchcock is capable is
making a truly bad movie. This is still plenty suspenseful; especially when
Walker is hunting Granger's wife at the fair. It looks good. It's well
performed. It was just a waste of a good idea.
Verdict: Weakly Don't Recommend
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