The Pitch:
It's a documentary but it's about the making of a movie, but the movie was
never released.
The story of the making of and rediscovery of an
infamous independent movie made in Singapore in the early 1990s.
I imagine this documentary plays much different if
you don't know what it's about going in. For the first hour or so, it's a
pretty straight-forward "making of" documentary. Sandi Tan talks
about her and her friends' love of film growing up. She talks about the
fledgling independent film industry in Singapore in the early 90s. She covers
how they made this movie and the assorted hurdles they had making it. There is
a haunted quality to all this. When they show clips of the movie, it's like
watching old super 8 home videos.
Then, there are a series of third act twists.
Goerges Cardona runs off with the film. Everyone accepts that it's lost forever
until Cardona's ex-wife calls 20 years later to inform Sandi that she has the
movie, and it's still in perfect condition. And, the final dagger: there is no
sound. Only the video remains. And suddenly, the entire style of the movie
makes perfect sense.
While this series of revelations makes the whole
story more exciting, researching Cardona's life is a bit of a dead end. The
movie itself admits this. I wonder how much more they could've uncovered with
more resources, or was it something where the filmmaker had already devoted too
much of her life to it and needed to be done with it? I definitely get the
sense that some of the filmmaker's friends are tired of talking about it. And
you get the sense that Sandi Tan is the most persnickety person in the extended
group of friends. She tries to call attention to some of her own faults, but
I'm always quite aware how much I'm seeing the story through her lens.
Still, it's a really interesting story. Between this
and Crazy Rich Asians, I feel like 2018 offered a crash course in
"What is Singapore?". The story of film history in this other country
is fascinating.
One thing did bug me throughout though. I still
don't get how infamous this original Shirkers that they made in 1992
was. Sandi Tan talks about it following her and that she'd been offered to
write a book about the production. But, the movie just looked like a decently
funded student film; not that different from a lot of movies USC students
would've made at the time. Sure, it's notable since it was completely
independent and filmed in Singapore. I feel like this documentary made Shirkers
as humble or impressive as it needed to be in a given moment. Maybe I needed more
reminders of how unique the project was at the time, or a follow-up of how the
indie film industry developed in Singapore after that would've been nice.
Verdict: Weakly Recommend
No comments:
Post a Comment