I
watch every bit as much TV as I do movies, if not more. It's a lot
harder to keep up with TV shows though. I did my DVR purges for a couple
years. Those were completely exhausting though. With all the shows that
Netflix drops on the same day and shows I simply can't keep up with as
they come out, there's just no good way to talk about my favorite TV
shows consistently.
So, I've come up with a compromise: The Episode Reaction.
It's pretty simple. Whenever I have the time and motivation and an
episode of a show is good or interesting enough to talk about, I will.
It'll a little bit series review, somewhat a season check-in, and mostly
an examination of the episode in question.
What better show to start this with than The Middle? You see, The Middle
has quietly become one of my favorite shows. It's not flashy. There's
no breakout stars. It's not meta or rule-breaking. It's sort of a
throwback: A sturdy family comedy. For those of you who are unfamiliar, The Middle
is about the Hecks: a lower middle class Indiana family. They are led
by family matriarch, Frankie (Patricia Heaton) who fosters an atmosphere
of ambivalence. She's a refutation of the Martha Stewart types who have
it all figured out. She tries, but she's no good at it and, when she's
honest with herself, doesn't mind that at all. Her husband Mike (Neil
Flynn), is quiet, stubborn, and easy to please. Flynn is magnificently
understated in his performance, kind of like if Dan Conner from Roseanne meets Coach Taylor from Friday Night Lights.
The oldest son, Axl (Charlie McDermott) is conceited and lazy. The only
daughter, Sue (Eden Sher) is the world's biggest optimist in the body
of the world's unluckiest klutz. The youngest son, Brick (Atticus
Shaffer) is a highly eccentric book nerd. The Hecks bicker amongst
themselves, but at the end of the day, are a loving family.
On paper, nothing about The Middle
is special. What sets it apart is an incredible understanding of its
characters. It's currently as strong as ever because all any episode
needs is an inciting event and the characters' responses naturally carry
it. I can't think of a show that does it better.
"Floating
50" is a perfect example of this. The inciting event: Frankie asks for a
pizza as a makeup for "floating" her 50th birthday celebration.
Everything that follows makes sense. Brick and Axl complain about her
pizza choice. Mike and Frankie forget the pizza on the roof. The men
realize they need to do better by Frankie and throw her a birthday
party. This being the Hecks, this doesn't go well. Every single beat
makes perfect sense for the characters. When I saw it writes itself, I
mean that as a compliment. One of my biggest complaints about Modern Family
is that I can see the strings too often. They structure the show for an
endpoint and reverse-engineer the episode to get there.
The Middle
is very much the opposite. It's character driven. I honestly don't know
how they could've started with the idea of "Frankie isn't there for her
own party" because everything falls into place perfectly. It's well
established that the men of the family have no idea how to show their
appreciation. After the pizza fiasco, they want to make it up to Frankie
but don't know how. They decide to throw her a surprise party. Why?
Because if she knows about it, they know it'll fall on her to plan it.
It makes sense that they leave Sue out of it. Why? First of all, she's
at college (looking for a sock, but more on that later). Axl is homeless
and has his internship, so of course he'd be around. Secondly, it fits
Sue perfectly that she can't keep a secret. That's exactly who Sue is.
The Heck men put together the most passable excuse for a party they can.
Axl gets the sub, because the less you give him to do, the better.
Brick decorates with two balloons, because frivolous things are beyond
him. Mike forgets to have someone guide Frankie to show up on time for
the party, because he's a simple man who is used to things being
reliable and exactly the same as they always are. Why wouldn't he assume
that Frankie wouldn't come back home around the time she normally
would?
On Frankie's side, she's feeling unappreciated
by the men, so she reaches out to Sue, the one person in the family who
knows how to cheer her up. The exact timing of her call after Sue finds
out about the party in contrived, sure. The fact that Frankie comes out
of that conversation deciding to surprise Sue with a visit makes perfect
sense though.
This is an odd episode too. It's like
they wrote the A-story for the party and still have seven minutes to
fill. That's how we end up with the odd B and C stories of Sue searching
for a sock and Brick learning a sport. I'll generously call these
filler. Structurally, they're quite entertaining though and individually
they're pretty entertaining. You could just tell me the pitch "Sue
loses a sock in the dryer" and I'm going to chuckle. The character is so
well drawn out that I know exactly how this will play out, and Eden
Sher is such a pro by now that she'll do it with gusto. Brick's teacher
trying to teach him a sport is even more silly, but it fits the pathos
of the show perfectly with the teacher having him change his "I can't"
by the end. I liked how the Sue story was mostly contained to the first
act of the show and Brick's to the second, which left sole focus on the
party in the third. Perhaps the "filler" was actually a sign of a more
shrewedly crafted script than I initially assumed.
It
all comes together with the surprise party with Frankie stuck in
Mumford, and that's where the episode truly shines. There's all the
neighbors pointing out all the ways that the Heck men screwed up.
There's Sue completely folding under the pressure of the phone call.
Brick fails at small talk in glorious fashion. Best of all, when Mike
finally reveals the surprise, Frankie isn't mad. She's touched. Those
beat have been hit many times before, normally on the Mother's Day
episodes, which the show itself recognizes. Heaton still nails it, as
the effective script earned it. Then there's the small touches like
Sue's new friend Lexie showing up with the vending machine "cake".
Frankie's right. I see why Sue and her would be friends too.
I worry that The Middle
will never get the appreciation that it deserves. Episodes like this
one remind me that it's probably the best family comedy of the last
decade, given the longevity, consistency, attention to detail, and
criminally underrated cast.
No comments:
Post a Comment